by Maggie Horne ‧ RELEASE DATE: Oct. 18, 2022
Cleareyed, empowering, and hopeful while still frankly tackling sexual harassment.
A group of middle school girls take on harassment despite facing challenges.
Twelve-year-old Hazel Hill has spent seventh grade focusing on how to win the speech contest and how best to ignore Tyler Harris’ incessant talking, until the day Tyler tells her that Ella Quinn, her speech contest nemesis, has a crush on her. No one knows Hazel likes girls, and she doesn’t know what to do with this information about Ella. As it turns out, there’s more Hazel doesn’t know: Tyler has been harassing Ella online. Based on everything Tyler tells Hazel, the two girls, along with Riley Beckett, Ella’s best friend, realize that he’s probably harassed many other girls. When the three try to report Tyler, they find that the adults they approach don’t listen or don’t care. Left with no other options, the girls decide to take matters into their own hands. The serious subject matter this novel covers is mediated well through Hazel’s wry narration: She is funny, smart, and well adjusted even if she hasn’t managed to make friends in middle school. The portrayal of the girls’ concerns is also remarkably realistic, from their own reactions and considerations about when to speak up or remain silent to the varied and sometimes-disappointing responses of their parents and teachers. All main characters are assumed to be White.
Cleareyed, empowering, and hopeful while still frankly tackling sexual harassment. (notes) (Fiction. 10-13)Pub Date: Oct. 18, 2022
ISBN: 978-0-358-66470-3
Page Count: 240
Publisher: Clarion/HarperCollins
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
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by Soman Chainani ; illustrated by Iacopo Bruno ‧ RELEASE DATE: May 14, 2013
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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by Soman Chainani ; illustrated by Iacopo Bruno
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BOOK TO SCREEN
by Elinor Teele ; illustrated by Ben Whitehouse ‧ RELEASE DATE: April 12, 2016
A sly, side-splitting hoot from start to finish.
The dreary prospect of spending a lifetime making caskets instead of wonderful inventions prompts a young orphan to snatch up his little sister and flee. Where? To the circus, of course.
Fortunately or otherwise, John and 6-year-old Page join up with Boz—sometime human cannonball for the seedy Wandering Wayfarers and a “vertically challenged” trickster with a fantastic gift for sowing chaos. Alas, the budding engineer barely has time to settle in to begin work on an experimental circus wagon powered by chicken poop and dubbed (with questionable forethought) the Autopsy. The hot pursuit of malign and indomitable Great-Aunt Beauregard, the Coggins’ only living relative, forces all three to leave the troupe for further flights and misadventures. Teele spins her adventure around a sturdy protagonist whose love for his little sister is matched only by his fierce desire for something better in life for them both and tucks in an outstanding supporting cast featuring several notably strong-minded, independent women (Page, whose glare “would kill spiders dead,” not least among them). Better yet, in Boz she has created a scene-stealing force of nature, a free spirit who’s never happier than when he’s stirring up mischief. A climactic clutch culminating in a magnificently destructive display of fireworks leaves the Coggin sibs well-positioned for bright futures. (Illustrations not seen.)
A sly, side-splitting hoot from start to finish. (Adventure. 11-13)Pub Date: April 12, 2016
ISBN: 978-0-06-234510-3
Page Count: 352
Publisher: Walden Pond Press/HarperCollins
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
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