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THE HOPELING

A well-intentioned and religiously inclusive fantasy that never quite reaches the heavens to which it aspires.

In Master’s YA fantasy novel, an angel tasked with sorting prayers begins to suspect sinister doings are afoot with her colleagues.

Ipsa is a veteran prayer reader and sorter, having spent millennia receiving and directing prayers that arrive from what readers will recognize as humans on Earth, but which Ipsa and the other angels know as “hopelings” from “There.” The angels “still don’t know why these prayers found their way to our land, but it became clear that these poor, nonmagical creatures needed our help.” The angels live a peaceful, simple existence, processing earthly prayers in a streamlined corporatized structure in which each angel has his or her hermetic role. There are even mentors and mentees; Ipsa’s trainee, Muir, reveres her. Not everyone is enamored with Ipsa, though, most notably her diminutive boss, Eon; so, when Ipsa discovers a prayer she can’t ignore (it even sends a real, physical shock through her angelic body), she’s more than a little dubious when Eon, suddenly friendly, snatches it from her hand and tells her not to worry—it’s been “misdirected,” and he’ll handle it. In all her literal millions of prayers, she’s never heard of one being misdirected, and, even stranger, she can’t put her finger on why this prayer, in particular, has caught Eon’s attention. She decides to delve deeper into the mystery, spending hours in the minds of the prayer’s subjects, a pair of siblings from Connecticut named Isaac and Annie Conway. The more she researches, the more intrigued and confused she grows, and the more secretive she must be—her only confidants are Muir and another, older angel, Dhavi, who seems uncharacteristically reticent when discussing the matter.

The author constructs a vision of angels answering prayers that is refreshingly devoid of any superimposed monotheism resembling any major religions or systems of belief beyond a broad faith in a higher power that has the ability to affect even the smallest outcomes in Hopelings’ lives, from avoiding a flat tire on the way to a job interview to requesting sunny weather on a wedding day. Unfortunately, the “Here” in which angels live feels thin, and it can be difficult to envision how that world looks—in some passages, it sounds like it resembles Earth (“Most of the spaces in Ipsa’s world had been fashioned to help angels better understand the ‘hopeling perspective’”); at other times, it seems more like a celestial, star-shot campus floating in space. Conceptually, Master’s conceit is appealing, with the idea of a workforce of angels sorting through earthly prayers somehow both classic and novel, but some of the parameters of this system feel underbaked, and there are inconsistencies in what the angels seem to understand about Hopelings’ lives—the humans are a mystery to them, and yet something as specific as the taste of orange peels seems familiar and innate to the angels rather than learned or assumed. The narrative is intriguing at first, but moves slowly in a manner atypical (and somewhat unappealing) for the YA genre. These sins are redeemed, somewhat, by readers’ well-earned inclination to root for Ipsa and Muir against the powers that be, but it isn’t enough to carry readers through the novel’s flatter stretches.

A well-intentioned and religiously inclusive fantasy that never quite reaches the heavens to which it aspires.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: Feb. 17, 2025

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ANYA'S GHOST

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...

A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.

Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set. 

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)

Pub Date: June 7, 2011

ISBN: 978-1-59643-552-0

Page Count: 224

Publisher: First Second

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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