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AN EXCESS MALE

An intelligent, incisive commentary on how love survives—or doesn’t—under the heel of the State.

In her provocative debut, King imagines a world in which China's One Child Policy has created a dystopian future of longing, inequality, and constant surveillance.

At 40, Lee Wei-guo is a well-established physical trainer. He’s even been “voted one of Beijing’s top master personal trainers the last five years in a row by The Worldly Bachelor.” Like the other men he knows, Wei-guo longs for the companionship of marriage, but China’s One Child Policy and preference for male children has created a future in which it’s notoriously difficult—and expensive—for men to marry. Women are allowed to take multiple husbands to try and breed more daughters, an authoritarian State has criminalized homosexuality and mental illness, and men are provided with State-regulated outlets for both pleasure and aggression. But when Wei-guo meets Wu May-ling through an expensive matchmaker, he intuits that she and her Advanced family may be the ticket to his future happiness. Despite his growing connection with May-ling and her two husbands, brothers Hann and XX, Wei-guo’s hopes for a straightforward marriage contract are thrown into chaos when a battle in the Strategic Games turns unexpectedly deadly. Can Wei-guo outsmart the State-sponsored violence that has rendered men like him so dispensable? Told in alternating viewpoints, King's novel takes its cues from classic sci-fi dystopias, from The Handmaid’s Tale to Ender’s Game, to demonstrate the repressive control mechanisms already at work in everyday life.

An intelligent, incisive commentary on how love survives—or doesn’t—under the heel of the State.

Pub Date: Sept. 12, 2017

ISBN: 978-0-06-266255-2

Page Count: 416

Publisher: Harper Voyager

Review Posted Online: June 19, 2017

Kirkus Reviews Issue: July 1, 2017

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MORNING STAR

From the Red Rising Trilogy series , Vol. 3

An ambitious and satisfying conclusion to a monumental saga.

Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.

This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”

An ambitious and satisfying conclusion to a monumental saga.

Pub Date: Feb. 9, 2016

ISBN: 978-0-345-53984-7

Page Count: 400

Publisher: Del Rey/Ballantine

Review Posted Online: Dec. 8, 2015

Kirkus Reviews Issue: Dec. 15, 2015

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GOLDEN SON

From the Red Rising Trilogy series , Vol. 2

Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...

Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.

The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.  

Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.

Pub Date: Jan. 6, 2015

ISBN: 978-0-345-53981-6

Page Count: 448

Publisher: Del Rey/Ballantine

Review Posted Online: Oct. 22, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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