THE SCORPIO RACES

The bestselling author of Shiver (2009) and Linger (2010) turns the legend of the water horse into a taut, chilling, romantic adventure.

Each October on the island of Thisby, the capaill uisce, or water horses, emerge from the sea. Predatory meat-eaters, they endanger the islanders—but they are also fast, far faster than land horses, and if captured and very carefully handled, with iron and magic, they can be trained. Every first of November, the water horses are raced on the beach of Thisby; winning the Scorpio Races brings fame and fortune, but losing often brings death. Nineteen-year-old Sean Kendrick runs for the right to buy the water-horse stallion Corr; 16-year-old Katherine, called Puck, pits her land mare against the water horses in an attempt to save her home. Gradually, the two of them, both orphaned by capaill uisce and fighting for the most important object in their lives, become confederates. First-person narration alternates seamlessly between Sean and Puck. The large cast of supporting characters springs to life, particularly Puck's brothers, Finn and Gabe, and Thisby feels like a place you can see and smell. The water horses are breathtakingly well-imagined, glorious and untamably violent. The final race, with Sean and Puck each protecting each other but both determined to win, comes to a pitch-perfect conclusion. Masterful. Like nothing else out there now. (Fantasy. 13-18)

 

Pub Date: Oct. 18, 2011

ISBN: 978-0-545-22490-1

Page Count: 416

Publisher: Scholastic

Review Posted Online: Aug. 17, 2011

Kirkus Reviews Issue: Sept. 1, 2011

Did you like this book?

No Comments Yet

Grimly plainly worked hard, but, as the title indicates, the result serves his own artistic vision more than Mary Shelley’s.

GRIS GRIMLY'S FRANKENSTEIN

A slightly abridged graphic version of the classic that will drive off all but the artist’s most inveterate fans.

Admirers of the original should be warned away by veteran horror artist Bernie Wrightson’s introductory comments about Grimly’s “wonderfully sly stylization” and the “twinkle” in his artistic eye. Most general readers will founder on the ensuing floods of tiny faux handwritten script that fill the opening 10 pages of stage-setting correspondence (other lengthy letters throughout are presented in similarly hard-to-read typefaces). The few who reach Victor Frankenstein’s narrative will find it—lightly pruned and, in places, translated into sequences of largely wordless panels—in blocks of varied length interspersed amid sheaves of cramped illustrations with, overall, a sickly, greenish-yellow cast. The latter feature spidery, often skeletal figures that barrel over rough landscapes in rococo, steampunk-style vehicles when not assuming melodramatic poses. Though the rarely seen monster is a properly hard-to-resolve jumble of massive rage and lank hair, Dr. Frankenstein looks like a decayed Lyle Lovett with high cheekbones and an errant, outsized quiff. His doomed bride, Elizabeth, sports a white lock à la Elsa Lanchester, and decorative grotesqueries range from arrangements of bones and skull-faced flowers to bunnies and clownish caricatures.

Grimly plainly worked hard, but, as the title indicates, the result serves his own artistic vision more than Mary Shelley’s. (Graphic classic. 14 & up)

Pub Date: Aug. 27, 2013

ISBN: 978-0-06-186297-7

Page Count: 208

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: July 3, 2013

Kirkus Reviews Issue: July 15, 2013

Did you like this book?

No Comments Yet

An accomplished, exciting debut.

ALL THE STARS AND TEETH

From the All the Stars and Teeth series , Vol. 1

A princess embarks on a dangerous path to the throne.

In the island kingdom of Visidia, where each person is allowed just one type of magic, only the members of the royal Montara family have the ability to wield the dangerous soul magic. Princess Amora is next in line to be High Animancer, but she must first prove to her people that she is powerful enough to use her magic to protect them. But something goes terribly wrong during a critical public ceremony, and Amora runs away with dashing pirate Bastian, whose rescue comes with a price: She must help him recover his own magic, stolen away by a dangerous man leading a growing rebellion that could bring down the whole kingdom. Debut author Grace wields her own magic with a skillful balancing act between high-stakes adventure (here there be monsters, mermaids, and high-seas shenanigans), bloody fantasy, and character development in a story with a lovable found family at its core. Amora yearns for adventure just as she welcomes her right to command her kingdom; her ferocious sense of duty and legitimate need to do good shine through. The novel’s further unravelling of dark secrets long kept comes with a recognized need for accountability and making amends which adds a thoughtful extra layer to the rich worldbuilding. Amora has copper-brown skin and dark, curly hair; other characters have a range of skin tones in this diverse world.

An accomplished, exciting debut. (guide to the kingdom) (Fantasy. 14-adult)

Pub Date: Feb. 4, 2020

ISBN: 978-1-250-30778-1

Page Count: 384

Publisher: Imprint

Review Posted Online: Nov. 19, 2019

Kirkus Reviews Issue: Dec. 15, 2019

Did you like this book?

No Comments Yet
more