Skip.
A young beaver sets off on an adventure, but can his friend Akita and his hot air balloon help Beaver find the way home?
While the cover may evoke memories of Richard Scarry, the contents quickly disabuse readers of that comparison. Rhyming couplets that are frequently off in terms of meter, scansion, and rhyme sink this effort: “ ‘Do you live in this romantic and colorful love nest?’ / ‘The bowerbird built this, Akita, and his sweetheart is impressed.’ " The duo’s trip, outlined on a world map at the end, includes looks in cross-section at the homes of foxes, bees, harvest mice, storks, termites, weaverbirds, bowerbirds, hermit crabs, sand tilefish, and prairie dogs before Beaver finds his lodge. But the text is not the only flaw here: the illustrations are busy and sure to keep readers occupied, but the animals are distractingly anthropomorphized. The male bowerbird presents the female with a single red rose, with lit candles and a bottle of champagne on ice in the background. The walruses sprawl on the ice in T-shirts, muscle T’s and trucker hats, the lone female in a skimpy purple bikini; most are holding drink cans in their flippers. Several animals are seen smoking. While the depiction of the beehive is a rare and refreshing exception to the unfortunate wasps’-nest norm, this colony has elected to build its comb from tree branches rather than in a hollow trunk and will probably perish come winter. Expressions are largely wooden, especially Beaver’s and Akita’s.
Skip. (Picture book. 3-6)Pub Date: Nov. 1, 2017
ISBN: 978-1-60537-357-7
Page Count: 32
Publisher: Clavis
Review Posted Online: Aug. 26, 2017
Kirkus Reviews Issue: Sept. 15, 2017
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
The runaway cookie in this Mexican bakery is a soft, brown, stubby-tailed piglet as impertinently bold and smug in his continual escape as his Gingerbread Boy cousin. “Chase me! Chase me down the street. But this is one piggy you won’t get to eat! / ¡Córrele, córrele! ¡Y Córrele más! ¡Soy el cochinito que jamás comerás!” This bouncy dual refrain extends the familiar cumulative text, rendered in both English and Spanish, as piggy manages to elude Marta the baker, Lorenzo the mechanic, Mamá Nita the beautician, Joaquín the telephone repairman and a host of other neighborhood adults—until he is outsmarted by Rosa, a little girl on her way to school, who foxily “helps him” cross the street. Safely tucked into her backpack, piggy is both a welcome surprise and an excuse for Rosa’s lateness to class. Deep opaque acrylic paintings of a colorful barrio and its residents in pursuit add the right amount of cultural flavor to this vivid Latino retelling. Recipe appended. (Picture book. 3-6)
Pub Date: Nov. 30, 2010
ISBN: 978-1-55885-586-1
Page Count: 32
Publisher: Piñata Books/Arte Público
Review Posted Online: Sept. 24, 2010
Kirkus Reviews Issue: Oct. 15, 2010
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