A compelling portrait of a city in crisis limited by its protagonist’s apathy.
A young woman makes her way through an earthquake in the heart of Tehran.
Mohebali’s novel opens on Shadi lying in bed, experiencing the beginnings of a comedown after having taken opium the previous night. As her family and city experience multiple earthquake tremors, Shadi disregards the chaos around her in favor of securing more of the opium balls that she tucks under her tongue to feel the “tadpoles” of sensation leaping through her body. Seeking out her friend Ashkan, who she thinks may have a hidden cache of drugs, she finds him “wilting under the shower” following an overdose. After she revives him, she picks through the contents of his vomit in an effort to find usable opium: “A few black specks hit the wall….I fish through his fluids for the leftovers.” Her misadventures are so bleak that appreciating the deadpan delivery can be a strain. Shadi’s pathway through Tehran is jumbled—the police take a woman who resembles Nana Molouk, her grandmother, and Shadi resolves to find her, but instead Shadi meets her old friend Sara. We see glimpses of Shadi’s love for Sara—“An earthquake isn’t so bad with Sara in one’s arms”––but ultimately even her tender flashes give way to apathy in her ongoing search for opium. Tehran-based author Mohebali has created a charismatic protagonist with an undeniable sense of humor as she watches the city devolve into frenzied flight during the earthquake, but Shadi's addiction hampers not only her own actions, but the pace and structure of the novel. Every abortive mission lessens the impact of her experience of the earthquake, and by the story’s end, the reader may be just as nihilistic as Shadi herself, lost in an often ambivalent character’s comings and goings.
A compelling portrait of a city in crisis limited by its protagonist’s apathy.Pub Date: Nov. 30, 2021
ISBN: 978-1-952177-86-6
Page Count: 168
Publisher: Feminist Press
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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