by Maisha Oso ; illustrated by London Ladd ‧ RELEASE DATE: Sept. 17, 2024
A stellar work that belongs in every collection serving young people.
“My hair is a book. / Watch me open it, / part it, / take a look.”
So begins this creative homage to the plethora of bold adjectives, nouns, verbs, and nicknames that people of African descent use to describe their hair and hairstyles—descriptors that also apply to books. Like books, hair conveys histories; like books, Black hair has often come under scrutiny or deemed unacceptable. Oso’s metaphors illustrate how Black hair tells the story of those who wear it; hair announces its wearer’s beauty to the world, be it cornrowed, locked, twisted, or curled. The author also nods cleverly and generously to other Black-authored books: Camille Yarbrough and Carole Byard’s Cornrows (1979), Derrick Barnes and Gordon C. James’ Crown: Ode to the Fresh Cut (2017), Kwame Alexander and Kadir Nelson’s The Undefeated (2019), Grace Byers and Keturah A. Bobo’s I Am Enough (2018), and even Alex Haley’s Roots (1976). Some of Ladd’s stunning acrylic, cut-paper, and tissue paper collage illustrations depict recognizable historical figures such as Shirley Chisholm, Malcolm X, and Madam C.J. Walker (the first American woman millionaire, who made her fortune on Black hair products), while others portray Black kids, cooks, and athletes, all of whom take pride in their hair despite those who might judge them. The Afro pick on the cover, with a Black Power fist protruding from a girl’s capacious updo, sets this book’s unapologetically pro-Black and celebratory tone.
A stellar work that belongs in every collection serving young people. (author’s note) (Picture book. 4-8)Pub Date: Sept. 17, 2024
ISBN: 9780063249103
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
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by Maisha Oso ; illustrated by Tom Knight
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by Maisha Oso ; illustrated by Candice Bradley
by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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by Susan McElroy Montanari ; illustrated by Teresa Martínez ‧ RELEASE DATE: Aug. 6, 2019
Just the thing for anyone with a Grinch-y tree of their own in the yard.
A grouchy sapling on a Christmas tree farm finds that there are better things than lights and decorations for its branches.
A Grinch among the other trees on the farm is determined never to become a sappy Christmas tree—and never to leave its spot. Its determination makes it so: It grows gnarled and twisted and needle-less. As time passes, the farm is swallowed by the suburbs. The neighborhood kids dare one another to climb the scary, grumpy-looking tree, and soon, they are using its branches for their imaginative play, the tree serving as a pirate ship, a fort, a spaceship, and a dragon. But in winter, the tree stands alone and feels bereft and lonely for the first time ever, and it can’t look away from the decorated tree inside the house next to its lot. When some parents threaten to cut the “horrible” tree down, the tree thinks, “Not now that my limbs are full of happy children,” showing how far it has come. Happily for the tree, the children won’t give up so easily, and though the tree never wished to become a Christmas tree, it’s perfectly content being a “trick or tree.” Martinez’s digital illustrations play up the humorous dichotomy between the happy, aspiring Christmas trees (and their shoppers) and the grumpy tree, and the diverse humans are satisfyingly expressive.
Just the thing for anyone with a Grinch-y tree of their own in the yard. (Picture book. 4-8)Pub Date: Aug. 6, 2019
ISBN: 978-1-4926-7335-4
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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by Susan McElroy Montanari ; illustrated by Jake Parker
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by Susan McElroy Montanari ; illustrated by Brian Pinkney
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