by Maisha Oso ; illustrated by London Ladd ‧ RELEASE DATE: Sept. 17, 2024
A stellar work that belongs in every collection serving young people.
“My hair is a book. / Watch me open it, / part it, / take a look.”
So begins this creative homage to the plethora of bold adjectives, nouns, verbs, and nicknames that people of African descent use to describe their hair and hairstyles—descriptors that also apply to books. Like books, hair conveys histories; like books, Black hair has often come under scrutiny or deemed unacceptable. Oso’s metaphors illustrate how Black hair tells the story of those who wear it; hair announces its wearer’s beauty to the world, be it cornrowed, locked, twisted, or curled. The author also nods cleverly and generously to other Black-authored books: Camille Yarbrough and Carole Byard’s Cornrows (1979), Derrick Barnes and Gordon C. James’ Crown: Ode to the Fresh Cut (2017), Kwame Alexander and Kadir Nelson’s The Undefeated (2019), Grace Byers and Keturah A. Bobo’s I Am Enough (2018), and even Alex Haley’s Roots (1976). Some of Ladd’s stunning acrylic, cut-paper, and tissue paper collage illustrations depict recognizable historical figures such as Shirley Chisholm, Malcolm X, and Madam C.J. Walker (the first American woman millionaire, who made her fortune on Black hair products), while others portray Black kids, cooks, and athletes, all of whom take pride in their hair despite those who might judge them. The Afro pick on the cover, with a Black Power fist protruding from a girl’s capacious updo, sets this book’s unapologetically pro-Black and celebratory tone.
A stellar work that belongs in every collection serving young people. (author’s note) (Picture book. 4-8)Pub Date: Sept. 17, 2024
ISBN: 9780063249103
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
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by Jory John ; illustrated by Pete Oswald ‧ RELEASE DATE: Nov. 4, 2025
A flavorful call to action sure to spur young introverts.
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New York Times Bestseller
In this latest slice in the Food Group series, Humble Pie learns to stand up to a busy friend who’s taking advantage of his pal’s hard work on the sidelines.
Jake the Cake and Humble Pie are good friends. Where Pie is content to toil in the background, Jake happily shines in the spotlight. Alert readers will notice that Pie’s always right there, too, getting A-pluses and skiing expertly just behind—while also doing the support work that keeps every school and social project humming. “Fact: Nobody notices pie when there’s cake nearby!” When the two friends pair up for a science project, things begin well. But when the overcommitted Jake makes excuse after excuse, showing up late or not at all, a panicked Pie realizes that they won’t finish in time. When Jake finally shows up on the night before the project’s due, Pie courageously confronts him. “And for once, I wasn’t going to sugarcoat it.” The friends talk it out and collaborate through the night for the project’s successful presentation in class the next day. John and Oswald’s winning recipe—plentiful puns and delightful visual jokes—has yielded another treat here. The narration does skew didactic as it wraps up: “There’s nothing wrong with having a tough conversation, asking for help, or making sure you’re being treated fairly.” But it’s all good fun, in service of some gentle lessons about social-emotional development.
A flavorful call to action sure to spur young introverts. (Picture book. 4-8)Pub Date: Nov. 4, 2025
ISBN: 9780063469730
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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