Though it has supporting themes about friendship and imagination, the biggest appeal here is that it’s just plain fun....
Funny and charming, this picture book debut by author/illustrator Krol stars pint-sized aliens who always know how to lend a hand (and a laugh).
Clearly alien, with green skin and antennae or gray skin and elongated faces, the Quest-terrestrials do their best to blend in on any planet, whether it’s with humans or cacti. But they also love to take center stage and be unique. They like to go fast, and they like “things that, um, float?” the narrator explains in a dubious tone, accompanied by an image of the little aliens with pink balloons tied to their middles. The Quest-terrestrials also have the qualities of good friends: They catch friends when they fall and help them when they’re scared. Krol has a way of defying expectations. When the narrator describes simple pleasures, the aliens are shown with a leaf blower sending them (and a field of daisies) flying; when the aliens love something sweet, the page almost overflows with blue cotton candy. The Quest-terrestrials are fond of furry creatures, but they love unicorns best (enough to figure out how to bring one back to their home planet). The story ends on a gross-out note—and another expectation swap—that will leave readers giggling. Krol’s art has plenty of kid appeal, and the rough, cartoonish style is perfect for enhancing the text’s sense of humor.
Though it has supporting themes about friendship and imagination, the biggest appeal here is that it’s just plain fun. Expect plenty of giggles—from children and parents.Pub Date: Feb. 22, 2018
ISBN: 978-1-5255-2190-4
Page Count: 40
Publisher: FriesenPress
Review Posted Online: April 18, 2018
Kirkus Reviews Issue: June 1, 2018
Review Program: Kirkus Indie
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
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BOOK REVIEW
BOOK REVIEW
A validating and breathtaking next chapter of a Mother Goose favorite.
Humpty Dumpty, classically portrayed as an egg, recounts what happened after he fell off the wall in Santat’s latest.
An avid ornithophile, Humpty had loved being atop a high wall to be close to the birds, but after his fall and reassembly by the king’s men, high places—even his lofted bed—become intolerable. As he puts it, “There were some parts that couldn’t be healed with bandages and glue.” Although fear bars Humpty from many of his passions, it is the birds he misses the most, and he painstakingly builds (after several papercut-punctuated attempts) a beautiful paper plane to fly among them. But when the plane lands on the very wall Humpty has so doggedly been avoiding, he faces the choice of continuing to follow his fear or to break free of it, which he does, going from cracked egg to powerful flight in a sequence of stunning spreads. Santat applies his considerable talent for intertwining visual and textual, whimsy and gravity to his consideration of trauma and the oft-overlooked importance of self-determined recovery. While this newest addition to Santat’s successes will inevitably (and deservedly) be lauded, younger readers may not notice the de-emphasis of an equally important part of recovery: that it is not compulsory—it is OK not to be OK.
A validating and breathtaking next chapter of a Mother Goose favorite. (Picture book. 4-8)Pub Date: Oct. 3, 2017
ISBN: 978-1-62672-682-6
Page Count: 45
Publisher: Roaring Brook Press
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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BOOK REVIEW
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