by Mamta Nainy ; illustrated by Sandhya Prabhat ‧ RELEASE DATE: Nov. 9, 2021
This delightful picture book shines a spotlight on a rural, underrepresented Indian Muslim community.
In the Indian village of Kaithoon, a mother weaves gorgeous saris at her loom.
The woman’s daughter notices that even though Ammi is a talented sari maker, she never wears the saris she creates, opting instead for worn-out pairs of salwar kameez. The daughter enlists her sister, Sadaf, to find a way to buy a new sari for Ammi. The girls break open their gullak to see how much money they have inside. When they find what they’ve saved in their money jar isn’t enough, they look for items they can sell to the scrap dealer in their village. Even after selling bottles, tin cans, and newspaper they find around the house, the sisters are still short of the funds they need. They decide to go to visit neighbor Amina Khala, who is also a sari weaver—although not as talented as Ammi—and who pays the girls to dye threads that she will use in her designs. Finally, they have enough to go to market and to buy Ammi one of her own exquisite saris. According to the author’s note, the protagonists are part of a Muslim community of weavers that migrated from the Indian state of Karnataka to settle in Rajasthan in the 17th and 18th centuries. The sweet and gentle story organically integrates details about the daily lives of these skilled and rarely represented craftspeople. The cartoonlike illustrations are full of color, texture, and detail.
This delightful picture book shines a spotlight on a rural, underrepresented Indian Muslim community. (Picture book. 3-6)Pub Date: Nov. 9, 2021
ISBN: 978-1-5420-3507-1
Page Count: 32
Publisher: Amazon Crossing Kids
Review Posted Online: Aug. 10, 2021
Kirkus Reviews Issue: Sept. 1, 2021
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson ‧ RELEASE DATE: March 29, 2022
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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by Jimmy Fallon ; illustrated by Miguel Ordóñez ‧ RELEASE DATE: June 9, 2015
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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