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SCRATCH

WRITERS, MONEY, AND THE ART OF MAKING A LIVING

Highly recommended for both experienced and aspiring authors and for avid readers who want to learn the back stories of the...

The founder of the online journal Scratch, loaded with information about how authors labor to earn a livelihood, collects essays and interviews that appeared online and supplements those with original offerings.

In this well-organized, fascinating anthology, a host of fiction and nonfiction authors share practical tips and emotional intelligence. Among the best-known authors included are Susan Orlean, Cheryl Strayed, Jonathan Franzen, Roxane Gay, Jennifer Weiner, Richard Rodriguez, and Nick Hornby, all of whose contributions are worthy. Yet many of the most compelling essays come from lesser-known writers, some of whom have yet to publish a book. One such standout is Sarah Smarsh, a former grant writer and current magazine writer who splits her time between her native Kansas and her new home in Texas and whose first book will be published in 2017. Smarsh specializes in writing about poverty, especially the poverty of relatively uneducated whites; in her essay, she reflects on making the jump from her family's poverty to higher education and, eventually, a promising writing career. In “The Best Work in Literature,” anthology editor Martin, the managing editor of Zoetrope: All Story, grapples with similar issues, sharing anecdotes about trying to pay the rent and eat properly in an economy that pays poorly for published writing. Each contributor deals directly or indirectly with the often unhappy intersection of commerce and art in the contemporary American economy. For every commercial success story—e.g., Strayed, Weiner, Franzen, or Alexander Chee—there are countless failures. At times, what can best be termed as "luck" arrives, as in the essay by Nina MacLaughlin, who explains how a piece she reluctantly agreed to write for no pay led to a book contract.

Highly recommended for both experienced and aspiring authors and for avid readers who want to learn the back stories of the contributors.

Pub Date: Jan. 3, 2017

ISBN: 978-1-5011-3457-9

Page Count: 304

Publisher: Simon & Schuster

Review Posted Online: Sept. 7, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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BLACK BOY

A RECORD OF CHILDHOOD AND YOUTH

This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.

It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.

Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.

Pub Date: Feb. 28, 1945

ISBN: 0061130249

Page Count: 450

Publisher: N/A

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Feb. 1, 1945

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