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ALL OF US

Oozing in kid appeal, a tale youngsters are sure to regularly revisit.

A variety of animals—familiar and unknown—pose in their native habitats.

What every one of Gauthier’s winsome, humorous collage illustrations has in common are the eyes; the cream-colored, circular cutouts with dark pupils suggest attentiveness as the creatures gaze at readers (except for the bats, who are sleeping). Translated from French, most of the text is one long sentence, starting with the words “I am the koala who curls up into a ball when he’s cold, the snow leopard who leaps down steep hills.” As the pages turn, Gauthier provides more names and brief descriptions. The bharal (an Asian sheep) perches on a mountain peak; it “has no fear of heights.” The penguin is “a bird who does not fly.” Following the penultimate page (“the child who loves being told a story”), which depicts a diverse group of youngsters, Gauthier spotlights something that all living things share: the cell. Highly textured, painted, and mixed-media backgrounds foreground the paper and cardboard creatures that hail from around the world. The palette comprises the muted blues, greens, and browns of the natural world. The art practically begs children to reach for their scissors, and the book concludes with the loaf-shaped pattern that Gauthier used to depict each subject’s oversize head, as well as an invitation to invent.

Oozing in kid appeal, a tale youngsters are sure to regularly revisit. (Picture book. 3-6)

Pub Date: Jan. 13, 2026

ISBN: 9781998802296

Page Count: 32

Publisher: Running the Goat

Review Posted Online: Sept. 13, 2025

Kirkus Reviews Issue: Oct. 15, 2025

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE RUNAWAY PIGGY / EL COCHINITO FUGITIVO

The runaway cookie in this Mexican bakery is a soft, brown, stubby-tailed piglet as impertinently bold and smug in his continual escape as his Gingerbread Boy cousin. “Chase me! Chase me down the street. But this is one piggy you won’t get to eat! / ¡Córrele, córrele! ¡Y Córrele más! ¡Soy el cochinito que jamás comerás!” This bouncy dual refrain extends the familiar cumulative text, rendered in both English and Spanish, as piggy manages to elude Marta the baker, Lorenzo the mechanic, Mamá Nita the beautician, Joaquín the telephone repairman and a host of other neighborhood adults—until he is outsmarted by Rosa, a little girl on her way to school, who foxily “helps him” cross the street. Safely tucked into her backpack, piggy is both a welcome surprise and an excuse for Rosa’s lateness to class. Deep opaque acrylic paintings of a colorful barrio and its residents in pursuit add the right amount of cultural flavor to this vivid Latino retelling. Recipe appended. (Picture book. 3-6)

Pub Date: Nov. 30, 2010

ISBN: 978-1-55885-586-1

Page Count: 32

Publisher: Piñata Books/Arte Público

Review Posted Online: Sept. 24, 2010

Kirkus Reviews Issue: Oct. 15, 2010

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