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THE GOLDEN HAVANA NIGHT

Ramos plots with all the coherence of an unusually antic comic strip. But the Cuba sequences are gripping, and it’s hard to...

Ramos (My Bad: A Mile-High Noir, 2016, etc.) kicks off a new series about a Latino detective who gets involved with a Colorado Rockies star and pretty much every lowlife in Denver and beyond.

Rockies All-Star center fielder Joaquín "Kino" Machado’s past has caught up with him. Alberto, the brother who left Cuba with him 10 years ago, is seriously in debt to mobbed-up Havana restaurateur Miguel "Hoochie" Almeida, whose brother, boxer Claudio Almeida, Kino just happens to have killed before leaving the island. Since Kino can’t just wire Hoochie the $500,000 he demands, he arranges to smuggle the money into Havana and ask ex-con private eye Agustín "Gus" Corral to travel with Alberto and hold his hand while he turns over the money. Ignoring the newspaper headlines about a shooter aiming at cars on I-25 and shaking off retired cop Leo Hudgens, who wants to hire him to track down Dominick Alito, the former partner who turned Hudgens to the dark side, Gus packs his bags for Cuba. What could possibly go wrong? Just about everything, and quickly, too. The van in which Kino’s sister, Lourdes, picks up Gus and Alberto at José Martí International Airport is ambushed by heavily armed fake cops; when Gus drives the van away, he hits an ox in the road, crashes the van, and loses the money; the U.S. Consular official who interrogates him about the accident and the money turns out to be equally fake. Just when you’ve settled in for a whimsical tour of the dark side of post-Castro Cuba, Gus abruptly returns home, where he spends the second half of this helter-skelter tale tamping down runaway subplots that flare up as suddenly as wildfires.

Ramos plots with all the coherence of an unusually antic comic strip. But the Cuba sequences are gripping, and it’s hard to resist a hero who observes, “I’ve never had a positive experience with a man who carried a briefcase.”

Pub Date: Sept. 30, 2018

ISBN: 978-1-55885-867-1

Page Count: 198

Publisher: Arte Público

Review Posted Online: July 1, 2018

Kirkus Reviews Issue: July 15, 2018

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GONE GIRL

One of those rare thrillers whose revelations actually intensify its suspense instead of dissipating it. The final pages are...

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  • New York Times Bestseller

A perfect wife’s disappearance plunges her husband into a nightmare as it rips open ugly secrets about his marriage and, just maybe, his culpability in her death.

Even after they lost their jobs as magazine writers and he uprooted her from New York and spirited her off to his childhood home in North Carthage, Mo., where his ailing parents suddenly needed him at their side, Nick Dunne still acted as if everything were fine between him and his wife, Amy. His sister Margo, who’d gone partners with him on a local bar, never suspected that the marriage was fraying, and certainly never knew that Nick, who’d buried his mother and largely ducked his responsibilities to his father, stricken with Alzheimer’s, had taken one of his graduate students as a mistress. That’s because Nick and Amy were both so good at playing Mr. and Ms. Right for their audience. But that all changes the morning of their fifth anniversary when Amy vanishes with every indication of foul play. Partly because the evidence against him looks so bleak, partly because he’s so bad at communicating grief, partly because he doesn’t feel all that grief-stricken to begin with, the tide begins to turn against Nick. Neighbors who’d been eager to join the police in the search for Amy begin to gossip about him. Female talk-show hosts inveigh against him. The questions from Detective Rhonda Boney and Detective Jim Gilpin get sharper and sharper. Even Nick has to acknowledge that he hasn’t come close to being the husband he liked to think he was. But does that mean he deserves to get tagged as his wife’s killer? Interspersing the mystery of Amy’s disappearance with flashbacks from her diary, Flynn (Dark Places, 2009, etc.) shows the marriage lumbering toward collapse—and prepares the first of several foreseeable but highly effective twists.

One of those rare thrillers whose revelations actually intensify its suspense instead of dissipating it. The final pages are chilling.

Pub Date: June 5, 2012

ISBN: 978-0-307-58836-4

Page Count: 432

Publisher: Crown

Review Posted Online: April 22, 2012

Kirkus Reviews Issue: May 1, 2012

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BLUEBIRD, BLUEBIRD

From the Darren Mathews series , Vol. 1

Locke, having stockpiled an acclaimed array of crime novels (Pleasantville, 2015, etc.), deserves a career breakthrough for...

What appears at first to be a double hate crime in a tiny Texas town turns out to be much more complicated—and more painful—than it seems.

With a degree from Princeton and two years of law school under his belt, Darren Mathews could have easily taken his place among the elite of African-American attorneys. Instead, he followed his uncle’s lead to become a Texas Ranger. “What is it about that damn badge?” his estranged wife, Lisa, asks. “It was never intended for you.” Darren often wonders if she’s right but nonetheless finds his badge useful “for working homicides with a racial element—murders with a particularly ugly taint.” The East Texas town of Lark is small enough to drive through “in the time it [takes] to sneeze,” but it’s big enough to have had not one, but two such murders. One of the victims is a black lawyer from Chicago, the kind of crusader-advocate Darren could have been if he’d stayed on his original path; the other is a young white woman, a local resident. Both battered bodies were found in a nearby bayou. His job already jeopardized by his role in a race-related murder case in another part of the state, Darren eases his way into Lark, where even his presence is enough to raise hackles among both the town’s white and black residents; some of the latter, especially, seem reluctant and evasive in their conversations with him. Besides their mysterious resistance, Darren also has to deal with a hostile sheriff, the white supremacist husband of the dead woman, and the dead lawyer’s moody widow, who flies into town with her own worst suspicions as to what her husband was doing down there. All the easily available facts imply some sordid business that could cause the whole town to explode. But the deeper Darren digs into the case, encountering lives steeped in his home state’s musical and social history, the more he begins to distrust his professional—and personal—instincts.

Locke, having stockpiled an acclaimed array of crime novels (Pleasantville, 2015, etc.), deserves a career breakthrough for this deftly plotted whodunit whose writing pulses throughout with a raw, blues-inflected lyricism.

Pub Date: Sept. 12, 2017

ISBN: 978-0-316-36329-7

Page Count: 336

Publisher: Mulholland Books/Little, Brown

Review Posted Online: June 19, 2017

Kirkus Reviews Issue: July 1, 2017

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