by Mara Rockliff ; illustrated by S.D. Schindler ‧ RELEASE DATE: Aug. 4, 2020
Though engagingly conveyed, this slight account grievously lacks context.
A rivalry between Thomas Jefferson and a French naturalist is detailed in this lengthy picture book.
In Rockliff’s rollicking tale, Jefferson jots down numbers everywhere he goes. He reads a new book by a famous Frenchman named Buffon, claiming that “America [is] a terrible, miserable, cold, damp place where nothing good could grow” and animals are unnaturally small. Jefferson is mystified by these claims from a person who has never even been to America, and he sets out to prove him wrong. Amid the Revolutionary War, Jefferson finds time to compile enough numbers for a book, Notes on the State of Virginia. When he is asked to represent the new United States in France, Jefferson hopes to have his book presented to Buffon, but “the famous Frenchman had already made up his mind.” Jefferson compiles more numbers—measurements of animals small and large—and finally has a rotting moose carcass sent to Buffon. Anticlimactically, Buffon dies without acknowledging the huge animal. Schindler’s finely detailed illustrations are well suited to the subject and impress with period detail; they include one background character of color among the otherwise all-white cast. Children obsessed with the early republic and with science may find this obscure tale entertaining, but adults familiar with Jefferson’s writings and biography will hesitate to share this frivolous anecdote with children, as it ignores his legacy of racism and slavery even in the backmatter notes, which span six pages.
Though engagingly conveyed, this slight account grievously lacks context. (sources) (Informational picture book. 5-9)Pub Date: Aug. 4, 2020
ISBN: 978-0-7636-9410-4
Page Count: 48
Publisher: Candlewick
Review Posted Online: May 2, 2020
Kirkus Reviews Issue: May 15, 2020
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by Nicola Davies ; illustrated by Jane Ray ‧ RELEASE DATE: May 7, 2019
A sweet and endearing feathered migration.
A relationship between a Latina grandmother and her mixed-race granddaughter serves as the frame to depict the ruby-throated hummingbird migration pattern.
In Granny’s lap, a girl is encouraged to “keep still” as the intergenerational pair awaits the ruby-throated hummingbirds with bowls of water in their hands. But like the granddaughter, the tz’unun—“the word for hummingbird in several [Latin American] languages”—must soon fly north. Over the next several double-page spreads, readers follow the ruby-throated hummingbird’s migration pattern from Central America and Mexico through the United States all the way to Canada. Davies metaphorically reunites the granddaughter and grandmother when “a visitor from Granny’s garden” crosses paths with the girl in New York City. Ray provides delicately hashed lines in the illustrations that bring the hummingbirds’ erratic flight pattern to life as they travel north. The watercolor palette is injected with vibrancy by the addition of gold ink, mirroring the hummingbirds’ flashing feathers in the slants of light. The story is supplemented by notes on different pages with facts about the birds such as their nest size, diet, and flight schedule. In addition, a note about ruby-throated hummingbirds supplies readers with detailed information on how ornithologists study and keep track of these birds.
A sweet and endearing feathered migration. (bibliography, index) (Picture book. 5-8)Pub Date: May 7, 2019
ISBN: 978-1-5362-0538-1
Page Count: 32
Publisher: Candlewick
Review Posted Online: March 26, 2019
Kirkus Reviews Issue: April 15, 2019
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by Carolyn B. Otto ‧ RELEASE DATE: Sept. 5, 2017
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.
An overview of the modern African-American holiday.
This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-4263-2849-7
Page Count: 40
Publisher: National Geographic Kids
Review Posted Online: Oct. 27, 2017
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