An intriguing examination of the inside story of one of New York City’s most important and beloved monuments.

READ REVIEW

ME AND MOMMA AND BIG JOHN

A son tells of his mother’s new job cutting stone for “Big John,” New York City’s yet-unfinished Cathedral of St. John the Divine.

He focuses his mother’s experiences at the cathedral through his own lens: She comes home covered in gray dust after daily labor on a single stone. Is his mother’s work like an artist’s, whose pictures hang in the museum? When the family visits Big John’s stone yard and soaring interiors, he understands that her contribution—painstakingly crafted, yet so small—will take its place “high above the people, Momma’s stone touching the sky.” Drawing from historical details about a 25-year apprenticeship program begun in 1982, Rockliff’s lyrical text celebrates collaboration and communion, whether as voices rising in a cathedral hymn or among the skilled workers who labored over more than a century. Low (Old Penn Station, 2007) renders many gorgeous digital spreads, articulating the extraordinary light and deep shadows within and outside the architecturally splendid cathedral. Combining the look of thick, fuzzy-edged pastel on paper with gouache on textured board, the illustrations are less successful in the figurative depictions. Awkwardly drawn shoes, feet and legs, along with some variation in the appearance of the daughter, are minor distractions from the overall strong visual appeal.

An intriguing examination of the inside story of one of New York City’s most important and beloved monuments. (author’s note) (Picture book. 4-8)

Pub Date: Aug. 28, 2012

ISBN: 978-0-7636-4359-1

Page Count: 32

Publisher: Candlewick

Review Posted Online: June 20, 2012

Kirkus Reviews Issue: July 15, 2012

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Fun but earnest, this rhyming romp reminds readers that one young person can make a difference.

SOFIA VALDEZ, FUTURE PREZ

From the Questioneers series

Sofia Valdez proves that community organizers of any age can have a positive impact.

After a trash-heap eyesore causes an injury to her beloved abuelo, Sofia springs into action to bring big change to her neighborhood. The simple rhymes of the text follow Sofia on her journey from problem through ideas to action as she garners community support for an idyllic new park to replace the dangerous junk pile. When bureaucracy threatens to quash Sofia’s nascent plan, she digs deep and reflects that “being brave means doing the thing you must do, / though your heart cracks with fear. / Though you’re just in Grade Two.” Sofia’s courage yields big results and inspires those around her to lend a hand. Implied Latinx, Sofia and her abuelo have medium brown skin, and Sofia has straight brown hair (Abuelo is bald). Readers will recognize Iggy Peck, Rosie Revere, and Ada Twist from Beaty’s previous installments in the Questioneers series making cameo appearances in several scenes. While the story connects back to the title and her aptitude for the presidency in only the second-to-last sentence of the book, Sofia’s leadership and grit are themes throughout. Roberts’ signature illustration style lends a sense of whimsy; detailed drawings will have readers scouring each page for interesting minutiae.

Fun but earnest, this rhyming romp reminds readers that one young person can make a difference. (Picture book. 5-8)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4197-3704-6

Page Count: 40

Publisher: Abrams

Review Posted Online: Nov. 24, 2019

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Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles.

THE DINKY DONKEY

Even more alliterative hanky-panky from the creators of The Wonky Donkey (2010).

Operating on the principle (valid, here) that anything worth doing is worth overdoing, Smith and Cowley give their wildly popular Wonky Donkey a daughter—who, being “cute and small,” was a “dinky donkey”; having “beautiful long eyelashes” she was in consequence a “blinky dinky donkey”; and so on…and on…and on until the cumulative chorus sails past silly and ludicrous to irresistibly hysterical: “She was a stinky funky plinky-plonky winky-tinky,” etc. The repeating “Hee Haw!” chorus hardly suggests what any audience’s escalating response will be. In the illustrations the daughter sports her parent’s big, shiny eyes and winsome grin while posing in a multicolored mohawk next to a rustic boombox (“She was a punky blinky”), painting her hooves pink, crossing her rear legs to signal a need to pee (“winky-tinky inky-pinky”), demonstrating her smelliness with the help of a histrionic hummingbird, and finally cozying up to her proud, evidently single parent (there’s no sign of another) for a closing cuddle.

Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles. (Picture book. 4-6)

Pub Date: Nov. 5, 2019

ISBN: 978-1-338-60083-4

Page Count: 24

Publisher: Scholastic

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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