by Marc Brown ; illustrated by Marc Brown ‧ RELEASE DATE: Sept. 6, 2016
There's not much new about this new-baby book.
With the help of his parents and big brother, Monkey gets ready to become a big brother, too.
An anthropomorphic monkey family composed of a pregnant mother, a father, big brother, and little brother prepares to welcome a third monkey-child. Everyone is happy about the baby, except, as the title suggests, for Monkey. “I like being a little brother,” is his response as the others revel in their excitement. While they anticipate, reminisce, and prepare, Monkey frets and tries to work out his feelings. Ultimately, a visit to the doctor’s office with Mommy allows Monkey to hear the baby’s heartbeat, and this seems to make him feel more at peace and perhaps even excited, too. But this crucial emotional shift is quite understated in both text and art, which undermines successful storytelling. Brown’s colored-pencil–and-gouache illustrations will seem familiar to fans of his Arthur books and TV series, but the hand-lettered text and linework successfully render the overall style more expressive than the flatter aesthetic found in those stories. Daddy and Mommy involve Monkey in baby preparations, and when Monkey holds his new sister in the hospital, he is unequivocally happy. Ultimately, however, there’s little to distinguish this new-baby book from others with the same well-trod theme.
There's not much new about this new-baby book. (Picture book. 3-5)Pub Date: Sept. 6, 2016
ISBN: 978-1-101-93327-5
Page Count: 32
Publisher: Knopf
Review Posted Online: June 27, 2016
Kirkus Reviews Issue: July 15, 2016
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by Jimmy Fallon ; illustrated by Miguel Ordóñez ‧ RELEASE DATE: June 9, 2015
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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SEEN & HEARD
by Stephanie Stansbie ; illustrated by Richard Smythe ‧ RELEASE DATE: Dec. 3, 2019
Sweet.
A caregiving bear shares with its cub how love has defined their relationship from the first moment and through the years as the cub has grown.
With rhymes and a steady rhythm that are less singsong-y than similar books, Stansbie seems to have hit a sweet spot for this offering on the I-love-you-always shelf. Readers follow the adult and child as they share special moments together—a sunset, a splash in a pond, climbing a tree, a snuggle—and the adult tells the child that the love it feels has only grown. Stansbie also takes care not to put promises in the adult bear’s mouth that can’t be delivered, acknowledging that physical proximity is not always possible: “Wherever you are, / even when we’re apart… // I’ll love you forever / with all of my heart.” The large trim size helps the sweet illustrations shine; their emphasis is on the close relationship between parent and child. Shaped peekaboo windows offer glimpses of preceding and succeeding pages, images and text carefully placed to work whatever the context. While the die cuts on the interior pages will not hold up to rough handling, they do add whimsy and delight to the book as a whole: “And now that you’re bigger, / you make my heart sing. / My / beautiful / wonderful / magical / thing.” Those last three adjectives are positioned in leaf-shaped cutouts, the turn of the page revealing the roly-poly cub in a pile of leaves, three formed by the die-cuts. Opposite, three vignettes show the cub appreciating the “beautiful,” the “wonderful,” and the “magical.”
Sweet. (Picture book. 3-5)Pub Date: Dec. 3, 2019
ISBN: 978-1-68412-910-2
Page Count: 32
Publisher: Silver Dolphin
Review Posted Online: Oct. 12, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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