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The Optical Lasso

BEWARE OF NEPTUNE'S DARK SIDE

A campy but engrossing adventure.

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Corwin tells the story of a soldier and his powerful invention in this debut sci-fi novel.

Cmdr. Jason Cody wakes up a prisoner of a terrifying alien enemy, his body dismembered by days of torture and experimentation. His fellow prisoner is a lieutenant, Cat, a woman he’s never met before and whose perfect beauty engenders reflexive suspicion: “It’s almost as if they drilled down into his cerebellum and extracted a virtual woman befitting his every exacting requirement.” However, they have no other choice but to trust each other. Cat manages to spring them from their prison, and Cody restores his body in the regenerative “pus” of their alien captors. It not only regrows his limbs, but also gives him enhanced strength and senses. As he and Cat swap information, he realizes that the team of scientists she was sent to save—the reason for her presence on the remote, dangerous planet of Vixus—didn’t include Cody at all. It turns out that he went missing 100 years earlier after disappearing into a wormhole with his incredible Optical Lasso, an invention that allows its user to see into both the past and future. The story contains two timelines: one set in Cody’s past in the 21st century and the other in his present in the 22nd. Corwin’s narrative voice is snappy and confident, if overly fond of wordplay (a chapter in which Cat battles an alien’s tongue, for example, is titled “Watch Your Tongue, Young Lady”). The structure and tone of the novel brings to mind golden age serialized sci-fi stories, and in staccato chapters, it skips forward one pressurized scene at a time. Cody even speaks in the stylized, expositional manner of a pulp hero: “What’s that noise? Sounds like chains slowly being recoiled by a mechanical device. No—the chains are hooked inside my back!” The characters don’t have much depth, and nothing about the way they speak or act is natural. However, the story’s quick cuts and ever complicating plotline will keep readers entertained.

A campy but engrossing adventure.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Dog Ear Publisher

Review Posted Online: Nov. 27, 2015

Kirkus Reviews Issue: Dec. 15, 2015

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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