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THE LAST OF THE STANFIELDS

An overstuffed but breezy family drama that plays out its familiar narrative beats right on time.

A British journalist and a Canadian carpenter discover the murky union between their parents during the quest to solve an old mystery.

Here’s a cultural stew for you: a novel by bestselling French novelist Levy (Hope, 2016, etc.) with a translation by Wasserman, a former film professional, starring two charming leads saddled with Beatles-esque names, set largely in the cinematically dreary city of Baltimore, Maryland. That’s the scene for Levy’s sprawling familial saga that spans three generations and time periods and leaps between points of view with abandon. Eleanor-Rigby “Elby” Donovan is a journalist for National Geographic, still mourning the loss of her mother, who recently passed away, and tending to her idiosyncratic father and a pair of odd-duck siblings. Her proclamation early in the book is prescient: “The strange part is that it took traveling to the ends of the earth for me to realize that what I was looking for was right there in front of me the whole time. All I had to do was open my eyes and start noticing the wonder of the world outside my front door.” Her adventure begins when she receives an anonymous letter hinting of secrets in her mother’s past and pointing her toward clues to her mum’s true nature. Simultaneously, in Quebec, handsome young carpenter George-Harrison Collins receives a similar letter hinting at the truth about the father he never knew. Between his characters' present-day meet-cute introduction and their discovery of an eccentric professor who holds the answers to their familial drama, Levy inserts a wartime story set in 1944 about a wealthy Maryland family and another sequence set in 1980 that explores the mysterious circumstances binding Elby's and George-Harrison’s families together. By modern standards, it sets a rather frothy, picaresque tone for a mystery novel, but readers looking for something light will find it an amusing indulgence.

An overstuffed but breezy family drama that plays out its familiar narrative beats right on time.

Pub Date: Jan. 1, 2019

ISBN: 978-1-5039-5912-5

Page Count: 384

Publisher: Amazon Crossing

Review Posted Online: Oct. 17, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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THREE BAGS FULL

A SHEEP DETECTIVE STORY

All these problems are handsomely solved at the unsurprising cost of making the human characters less interesting than the...

Just when you thought you’d seen a detective in every guise imaginable, here comes one in sheep’s clothing.

For years, George Glenn hasn’t been close to anyone but his sheep. Everyday he lets them out, pastures them, reads to them and brings them safely back home to his barn in the guilelessly named Irish village of Glennkill. Now George lies dead, pinned to the ground by a spade. Although his flock haven’t had much experience with this sort of thing, they’re determined to bring his killer to justice. There are of course several obstacles, and debut novelist Swann deals with them in appealingly matter-of-fact terms. Sheep can’t talk to people; they can only listen in on conversations between George’s widow Kate and Bible-basher Beth Jameson. Not even the smartest of them, Othello, Miss Maple (!) and Mopple the Whale, can understand much of what the neighborhood priest is talking about, except that his name is evidently God. They’re afraid to confront suspects like butcher Abraham Rackham and Gabriel O’Rourke, the Gaelic-speaking charmer who’s raising a flock for slaughter. And even after a series of providential discoveries and brainwaves reveals the answer to the riddle, they don’t know how to tell the Glennkill citizenry.

All these problems are handsomely solved at the unsurprising cost of making the human characters less interesting than the sheep. But the sustained tone of straight-faced wonderment is magical.

Pub Date: June 5, 2007

ISBN: 978-0-385-52111-6

Page Count: 368

Publisher: Flying Dolphin/Doubleday

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 15, 2007

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