How much you enjoy this is in direct proportion to how much trouble you think we’re all in. Sleep tight.
An outcast in a supposedly utopian future tries to figure out what’s wrong with the world and how to fix it. Join the club.
Well, sure, why not? Kling, the author of a bunch of texts about living with a kangaroo that got translated into a podcast and then turned into three books (all in German, so Google Translate is your friend), enters mainstream author mode with this bitter satire of consumer culture and the modern political sphere. In this kind of book, there’s typically an ordinary guy to represent us, the reader—think Arthur Dent as opposed to Ford Prefect in The Hitchiker's Guide to the Galaxy. Our main guy here is Peter Jobless, although the point of view bounces around all over the place. Welcome to QualityLand, where everything, from your stuff to your love life, has been optimized for you by algorithm. If you couldn't tell from his moniker, Peter is a bit of a screw-up, just coming off a long-term relationship with Sandra Admin, who’s happily dumped him based on the admonishment of QualityLand's dating service, QualityPartner, which matched them up automatically in the first place. Black humor abounds: There's John of Us, the political candidate who happens to be an android, and TheShop, which essentially serves as the company store for the world. The interstitial bits—news bulletins, guidebook entries, and the inevitable comments section—are particularly funny and give context to QualityLand's odd rules and tics. Despite the novel's comic approach, the nature of the narrative is heavily political, holding up a black mirror to our own troubled times. In addition to the pitch-black political satire, the novel's portrayal of economic inequality highlights a problem that wreaks havoc on our own lives. The characters aren't particularly likable and the narrative is a bit unhinged, but these days, a little comic relief might do us all some good.
How much you enjoy this is in direct proportion to how much trouble you think we’re all in. Sleep tight.Pub Date: Jan. 7, 2020
ISBN: 978-1-5387-3296-0
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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