A good novel that very nearly became a much better one. This accomplished author has a few more steps to take, but looks to...
Civilization as we know it is nonexistent, but life goes on in Siberia in a bleak fourth novel from Theroux (The Confessions of Mycroft Holmes, 2001, etc.).
He imagines a planet, barely subsisting in the aftermath of global conflict and environmental catastrophe, on which hopeful survivors have received land grants in a frigid wilderness inhabited by indigenous tribes and “ruled” by slaveholding warlords. Such information is doled out sparingly by protagonist-narrator Makepeace, a constabulary officer in a virtually abandoned township whose own family, former Quakers, are casualties of “the Zone,” also called Far North, and its recent history of violent misrule. Makepeace’s loneliness is eased by the companionship of Ping, an escaped pregnant Chinese slave. She and her baby perish shortly after childbirth, leaving Makepeace depressed, suicidal and vulnerable to a hopefulness that draws the constable farther away from any remnants of order and into traps set for those still enfeebled by anticipation of a future. The novel’s first half is truly chilling. Its climax and denouement are, alas, clichéd, unconvincing and far too indebted to literary influences, most notably Russell Hoban’s brilliant dystopian nightmare Riddley Walker (1980). Still, the initial 100 or so pages form a superbly lean and mean survival tale graced by the authority of an author who knows the lands of which he writes and finds beauty and majesty in their punishing extremes, while precisely rendering their terrors. The figure of Makepeace, whose true self and the source of her strengths and weaknesses are revealed in a perfectly sprung early surprise, is not easily forgotten.
A good novel that very nearly became a much better one. This accomplished author has a few more steps to take, but looks to be well on the road to full maturity.Pub Date: June 3, 2009
ISBN: 978-0-374-15353-3
Page Count: 272
Publisher: Farrar, Straus and Giroux
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 2009
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.
The time is the not-so-distant future, when the US's spiraling social freedoms have finally called down a reaction, an Iranian-style repressive "monotheocracy" calling itself the Republic of Gilead—a Bible-thumping, racist, capital-punishing, and misogynistic rule that would do away with pleasure altogether were it not for one thing: that the Gileadan women, pure and true (as opposed to all the nonbelieving women, those who've ever been adulterous or married more than once), are found rarely fertile.
Thus are drafted a whole class of "handmaids," whose function is to bear the children of the elite, to be fecund or else (else being certain death, sent out to be toxic-waste removers on outlying islands). The narrative frame for Atwood's dystopian vision is the hopeless private testimony of one of these surrogate mothers, Offred ("of" plus the name of her male protector). Lying cradled by the body of the barren wife, being meanwhile serviced by the husband, Offred's "ceremony" must be successful—if she does not want to join the ranks of the other disappeared (which include her mother, her husband—dead—and small daughter, all taken away during the years of revolt). One Of her only human conduits is a gradually developing affair with her master's chauffeur—something that's balanced more than offset, though, by the master's hypocritically un-Puritan use of her as a kind of B-girl at private parties held by the ruling men in a spirit of nostalgia and lust. This latter relationship, edging into real need (the master's), is very effectively done; it highlights the handmaid's (read Everywoman's) eternal exploitation, profane or sacred ("We are two-legged wombs, that's all: sacred vessels, ambulatory chalices"). Atwood, to her credit, creates a chillingly specific, imaginable night-mare. The book is short on characterization—this is Atwood, never a warm writer, at her steeliest—and long on cynicism—it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence.
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.Pub Date: Feb. 17, 1985
ISBN: 038549081X
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Jan. 15, 1985
SEEN & HEARD
BOOK TO SCREEN
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