by Marcella Ricker ‧ RELEASE DATE: April 17, 2014
Charming resource for parents looking for a way to allow their kids to celebrate Halloween without becoming indebted to the...
Awards & Accolades
Our Verdict
GET IT
A debut Halloween picture book that ends with a tricky treat.
How can families celebrate Halloween without making it all about the candy? Ricker’s book is designed to help transform Halloween by shifting its focus, but it requires parents to be in cahoots with the author, so adult readers should know how the book works before reading it to young ones. Here’s how it goes: One Halloween night, a young boy named Holden dresses as a knight and heads out trick-or-treating. He encounters the Sugar Witch, who needs candy to build her sugar castle. She’s trying to trick-or-treat, but all the homeowners turn her away because she’s too big. She asks Holden to share his candy, knowing he won’t want to. Afraid she’ll take it, he eats himself sick even before he’s done trick-or-treating. Finally, the Sugar Witch offers him a deal, which isn’t explained until the book’s end. He apparently agrees, since she gives him a magic box that he takes home. Just before going to sleep, he dumps all his candy except five pieces into the box. In the morning, he awakens to a treat in the box—a toy knight—and the knowledge that he’s helped the Sugar Witch build her sugar castle. He keeps using the box, and each year, he receives a toy in trade for his candy. On the final page, the narrator invites readers to put their candy in a box or bowl and leave it for the Sugar Witch, saving just a few pieces for themselves. The narrator suggests that the Sugar Witch may visit readers, just as she visited Holden, bringing them treats in exchange for their candy. As a reading experience, the book has its ups and downs. As the appealing digital illustrations, which feature a spooky nighttime sky, help keep the tale moving, the language can be rich and evocative—“clanged and clamored”; “tripped over a twisty twig.” Yet some of the sentences are too long for young readers: The single sentence on the second page of text is 53 words. Parents who are prepared are likely to enjoy their children’s responses, but those who don’t grasp the book’s participatory premise may feel tricked by what children could interpret as a promise of another Halloween treat.
Charming resource for parents looking for a way to allow their kids to celebrate Halloween without becoming indebted to the dentist.Pub Date: April 17, 2014
ISBN: 978-1480806900
Page Count: 24
Publisher: Archway Publishing
Review Posted Online: June 19, 2014
Kirkus Reviews Issue: Aug. 15, 2014
Review Program: Kirkus Indie
Share your opinion of this book
by Robert McCloskey ‧ RELEASE DATE: Aug. 18, 1941
I've seen only three double spreads and the text of this picture book by the author-artist of Lentil — but I'm sure it is going to be an enchanting and very original book. Mr. Mallard thinks the Boston Public Gardens would be a nice place to raise a family; but Mrs. Mallard is afraid of the swan boats, though the peanuts tempt her too. So she makes her nest near the River Charles, and agrees to meet Mr. Mallard in the Public Gardens when the ducklings have had some training. The time comes; she sets out with the ducklings stringing along behind her. It takes the Boston police department to get them across the streets, but get there they do, and reach the Public Garden pond in safety.
Pub Date: Aug. 18, 1941
ISBN: 0140564349
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 27, 2011
Kirkus Reviews Issue: Aug. 1, 1941
Share your opinion of this book
More by Robert McCloskey
BOOK REVIEW
illustrated by Robert McCloskey
BOOK REVIEW
BOOK REVIEW
by Robert McCloskey ; illustrated by Robert McCloskey
by Samantha Berger ; illustrated by Mike Curato ‧ RELEASE DATE: April 3, 2018
This extraordinary book will make it hard for any child reader to settle for the mundaneness of reality.
A testament to the power of an imaginative mind.
A compulsively creative, unnamed, brown-skinned little girl with purple hair wonders what she would do if the pencil she uses “to create…stories that come from my heart” disappeared. Turns out, it wouldn’t matter. Art can take many forms. She can fold paper (origami), carve wood, tear wallpaper to create texture designs, and draw in the dirt. She can even craft art with light and darkness or singing and dancing. At the story’s climax, her unencumbered imagination explodes beyond the page into a foldout spread, enabling readers both literally and figuratively to see into her fantasy life. While readers will find much to love in the exuberant rhyming verse, attending closely to the illustrations brings its own rewards given the fascinating combinations of mixed media Curato employs. For instance, an impressively colorful dragon is made up of different leaves that have been photographed in every color phase from green to deep red, including the dragon’s breath (made from the brilliant orange leaves of a Japanese maple) and its nose and scales (created by the fan-shaped, butter-colored leaves of a gingko). Sugar cubes, flower petals, sand, paper bags, marbles, sequins, and lots more add to and compose these brilliant, fantasy-sparking illustrations.
This extraordinary book will make it hard for any child reader to settle for the mundaneness of reality. (Picture book. 3-7)Pub Date: April 3, 2018
ISBN: 978-0-316-39096-5
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Jan. 12, 2018
Kirkus Reviews Issue: Feb. 1, 2018
Share your opinion of this book
More by Samantha Berger
BOOK REVIEW
by Samantha Berger ; illustrated by Neha Rawat
BOOK REVIEW
by Samantha Berger ; illustrated by Manny Galán
BOOK REVIEW
by Samantha Berger ; illustrated by Mike Curato
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.