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The Sugar Witch Switch

Charming resource for parents looking for a way to allow their kids to celebrate Halloween without becoming indebted to the...

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A debut Halloween picture book that ends with a tricky treat.

How can families celebrate Halloween without making it all about the candy? Ricker’s book is designed to help transform Halloween by shifting its focus, but it requires parents to be in cahoots with the author, so adult readers should know how the book works before reading it to young ones. Here’s how it goes: One Halloween night, a young boy named Holden dresses as a knight and heads out trick-or-treating. He encounters the Sugar Witch, who needs candy to build her sugar castle. She’s trying to trick-or-treat, but all the homeowners turn her away because she’s too big. She asks Holden to share his candy, knowing he won’t want to. Afraid she’ll take it, he eats himself sick even before he’s done trick-or-treating. Finally, the Sugar Witch offers him a deal, which isn’t explained until the book’s end. He apparently agrees, since she gives him a magic box that he takes home. Just before going to sleep, he dumps all his candy except five pieces into the box. In the morning, he awakens to a treat in the box—a toy knight—and the knowledge that he’s helped the Sugar Witch build her sugar castle. He keeps using the box, and each year, he receives a toy in trade for his candy. On the final page, the narrator invites readers to put their candy in a box or bowl and leave it for the Sugar Witch, saving just a few pieces for themselves. The narrator suggests that the Sugar Witch may visit readers, just as she visited Holden, bringing them treats in exchange for their candy. As a reading experience, the book has its ups and downs. As the appealing digital illustrations, which feature a spooky nighttime sky, help keep the tale moving, the language can be rich and evocative—“clanged and clamored”; “tripped over a twisty twig.” Yet some of the sentences are too long for young readers: The single sentence on the second page of text is 53 words. Parents who are prepared are likely to enjoy their children’s responses, but those who don’t grasp the book’s participatory premise may feel tricked by what children could interpret as a promise of another Halloween treat.

Charming resource for parents looking for a way to allow their kids to celebrate Halloween without becoming indebted to the dentist.

Pub Date: April 17, 2014

ISBN: 978-1480806900

Page Count: 24

Publisher: Archway Publishing

Review Posted Online: June 19, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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MAKE WAY FOR DUCKLINGS

I've seen only three double spreads and the text of this picture book by the author-artist of Lentil — but I'm sure it is going to be an enchanting and very original book. Mr. Mallard thinks the Boston Public Gardens would be a nice place to raise a family; but Mrs. Mallard is afraid of the swan boats, though the peanuts tempt her too. So she makes her nest near the River Charles, and agrees to meet Mr. Mallard in the Public Gardens when the ducklings have had some training. The time comes; she sets out with the ducklings stringing along behind her. It takes the Boston police department to get them across the streets, but get there they do, and reach the Public Garden pond in safety.

Pub Date: Aug. 18, 1941

ISBN: 0140564349

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 27, 2011

Kirkus Reviews Issue: Aug. 1, 1941

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WHAT IF...

This extraordinary book will make it hard for any child reader to settle for the mundaneness of reality.

A testament to the power of an imaginative mind.

A compulsively creative, unnamed, brown-skinned little girl with purple hair wonders what she would do if the pencil she uses “to create…stories that come from my heart” disappeared. Turns out, it wouldn’t matter. Art can take many forms. She can fold paper (origami), carve wood, tear wallpaper to create texture designs, and draw in the dirt. She can even craft art with light and darkness or singing and dancing. At the story’s climax, her unencumbered imagination explodes beyond the page into a foldout spread, enabling readers both literally and figuratively to see into her fantasy life. While readers will find much to love in the exuberant rhyming verse, attending closely to the illustrations brings its own rewards given the fascinating combinations of mixed media Curato employs. For instance, an impressively colorful dragon is made up of different leaves that have been photographed in every color phase from green to deep red, including the dragon’s breath (made from the brilliant orange leaves of a Japanese maple) and its nose and scales (created by the fan-shaped, butter-colored leaves of a gingko). Sugar cubes, flower petals, sand, paper bags, marbles, sequins, and lots more add to and compose these brilliant, fantasy-sparking illustrations.

This extraordinary book will make it hard for any child reader to settle for the mundaneness of reality. (Picture book. 3-7)

Pub Date: April 3, 2018

ISBN: 978-0-316-39096-5

Page Count: 40

Publisher: Little, Brown

Review Posted Online: Jan. 12, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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