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WHAT IF...

This extraordinary book will make it hard for any child reader to settle for the mundaneness of reality.

A testament to the power of an imaginative mind.

A compulsively creative, unnamed, brown-skinned little girl with purple hair wonders what she would do if the pencil she uses “to create…stories that come from my heart” disappeared. Turns out, it wouldn’t matter. Art can take many forms. She can fold paper (origami), carve wood, tear wallpaper to create texture designs, and draw in the dirt. She can even craft art with light and darkness or singing and dancing. At the story’s climax, her unencumbered imagination explodes beyond the page into a foldout spread, enabling readers both literally and figuratively to see into her fantasy life. While readers will find much to love in the exuberant rhyming verse, attending closely to the illustrations brings its own rewards given the fascinating combinations of mixed media Curato employs. For instance, an impressively colorful dragon is made up of different leaves that have been photographed in every color phase from green to deep red, including the dragon’s breath (made from the brilliant orange leaves of a Japanese maple) and its nose and scales (created by the fan-shaped, butter-colored leaves of a gingko). Sugar cubes, flower petals, sand, paper bags, marbles, sequins, and lots more add to and compose these brilliant, fantasy-sparking illustrations.

This extraordinary book will make it hard for any child reader to settle for the mundaneness of reality. (Picture book. 3-7)

Pub Date: April 3, 2018

ISBN: 978-0-316-39096-5

Page Count: 40

Publisher: Little, Brown

Review Posted Online: Jan. 12, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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BECAUSE I HAD A TEACHER

A sweet, soft conversation starter and a charming gift.

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A paean to teachers and their surrogates everywhere.

This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.

A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)

Pub Date: March 1, 2017

ISBN: 978-1-943200-08-5

Page Count: 32

Publisher: Compendium

Review Posted Online: Dec. 13, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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