An inventive if not wholly successful look at the nighttime world of nature.
An imaginative pug with insomnia explores the night world of sleeping animals with a dreamlike narrative in rhyming text.
Conrad the pug just isn’t interested in sleep when his family heads off to bed. He slips out into the night alone and sees all sorts of familiar animals sleeping near his home. As Conrad ventures further into the heart of darkness (his name is Conrad, after all), his observations veer into the fantastical. He can see under water and into distant environments, spotting such unusual animals as elephants, monkeys, a panda and a tiger. At first Conrad is an observer, but he becomes a participant, swimming with the “creatures of the deep” and sleeping on his back tucked into a group of walruses. He returns home to find the little girl of his family still awake, and Conrad falls asleep in her bed. Readers will find the girl in an irritated state of wakefulness on the final page. This jarring attempt at a humorous ending doesn’t complement the magical, ethereal tone of Conrad’s journey. Intriguing illustrations in ink, watercolor and gouache capture the mysterious tone of the world at night, with a wide variety of perspectives and creatively integrated strings of ZZZs coming from the sleeping creatures.
An inventive if not wholly successful look at the nighttime world of nature. (Picture book. 3-6)Pub Date: May 2, 2013
ISBN: 978-0-399-25793-3
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: March 26, 2013
Kirkus Reviews Issue: April 15, 2013
Roller-coaster enthusiasts or not, children will eagerly join our intrepid hero on this entertaining ride.
The Pigeon is on an emotional—and physical—roller coaster.
Since learning about the existence of roller coasters, he’s become giddy with excitement. The Pigeon prepares mentally: He’ll need a ticket and “exemplary patience” to wait in line. He envisions zooming up and down and careening through dizzying turns and loops. Then, he imagines his emotions afterward: exhilaration, post-ride blues, pride at having accomplished such a feat, and enthusiasm at the prospect of riding again. (He’ll also feel dizzy and nauseous.) All this before the Pigeon ever sets claw on an actual coaster. So…will he really try it? Are roller coasters fun? When the moment comes, everything seems to go according to plan: waiting in line, settling into the little car, THEN—off he goes! Though the ride itself isn’t quite what the Pigeon expected, it will delight readers. Wearing his feelings on his wing and speaking directly to the audience in first person, the Pigeon describes realistic thoughts and emotions about waiting and guessing about the unknown—common childhood experiences. No sentiment is misplaced; kids will relate to Pigeon’s eagerness and apprehension. The ending falls somewhat flat, but the whole humorous point is that an underwhelming adventure can still be thrilling enough to warrant repeating. Willems’ trademark droll illustrations will have readers giggling. The roller-coaster attendant is light-skinned. (This book was reviewed digitally.)
Roller-coaster enthusiasts or not, children will eagerly join our intrepid hero on this entertaining ride. (Picture book. 3-6)Pub Date: Sept. 6, 2022
ISBN: 978-1-4549-4686-1
Page Count: 40
Publisher: Union Square Kids
Review Posted Online: June 7, 2022
Kirkus Reviews Issue: July 1, 2022
BOOK REVIEW
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BOOK REVIEW
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
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