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THE MUSIC OF THE PRIMES

SEARCHING TO SOLVE THE GREATEST MYSTERY IN MATHEMASTICS

A must for math buffs.

A Royal Society research fellow takes the Riemann Hypothesis, reputedly the most difficult of all math problems, as the focus for his lively history of number theory.

Du Sautoy (Mathematics/Oxford) begins in 1900 with German mathematician David Hilbert's famous address to the International Congress of Mathematicians in Paris, where Hilbert offered 23 unsolved problems as challenges to his colleagues. Among them was the Reimann Hypothesis, which concerns the distribution of prime numbers; it is the only one still unsolved. Greek mathematicians knew that the primes are infinite in number and distributed randomly in the set of natural numbers. Two centuries ago, Carl Friedrich Gauss offered a formula to estimate how many primes lie below any given number; in 1859, Gauss's student, Bernhard Riemann, refined that estimate, based on the incredibly complex Zeta function, but died without proving his hypothesis. With a minimum of equations and mathematical symbols, du Sautoy outlines the progress each succeeding generation has made on the problem. Along the way, readers meet G.H. Hardy and J.E. Littlewood, the twin beacons of the Cambridge math department between the world wars; Ramanujan, the self-taught Indian clerk who claimed that his ideas were given to him by his family goddess; and Atle Selberg, who survived the Nazi occupation of Norway to become a leading light at Princeton's Institute for Advanced Studies. Alan Turing, the father of modern computers, tried to devise a program to attack the Riemann Hypothesis; now the primes are the key to cryptography. A Boston businessman has offered a million-dollar reward for a proof, although few mathematicians seem to need additional incentive to tackle the Everest of mathematical problems. Du Sautoy keeps the story moving and gives a clear sense of the way number theory is played in his accessible text. (See Karl Sabbagh’s The Riemann Hypothesis, p. 369, which covers similar territory but spotlights current mathematicians searching for a Riemann proof.)

A must for math buffs.

Pub Date: May 1, 2003

ISBN: 0-06-621070-4

Page Count: 336

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2003

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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