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BRILLIANCE

From the Brilliance Trilogy series , Vol. 1

A farsighted thriller about what happens when people really do think differently.

A deadly agent assigned to track down and terminate dangerous, gifted fugitives finds society’s landscape shifting beneath his feet.

What if 1 percent of the world’s children were born with powerful gifts? How would society adapt to their presence? Those are just some of the big questions behind this visceral, inventive thriller by prolific crime writer Sakey (The Two Deaths of Daniel Hayes, 2011, etc.). It’s set in a future where non-neurotypical people (demonized as “twists” by society) are threatening the status quo of the “normal” population with their unique gifts. Divorcé Nick Cooper is a noirish government agent who works for the dully named Department of Analysis and Response in a U.S.–funded agency, Equitable Services. His job is to track down criminals who use their gifts for ill. These aren’t the well-worn tropes of the superhero genre—for example, Cooper’s gift is for predictive analysis, allowing him to see what will happen before it happens and react. It’s a vision that offers up bone-crunching violence and a plausible future that is far more terrifying than it might seem on the surface. We first meet Cooper as he’s engaging an abnorm in a pitched rooftop chase. Before plunging to her death, she warns Cooper, “You can’t stop the future. All you can do is pick a side.” The book is ultimately about a standoff between a terrorist who dubs himself “John Smith,” Cooper, and a woman, Shannon Azzi, who may or may not be on Smith’s side. But in the telling, Sakey pulls off every trick in the book, from staccato dialogue to jaw-dropping plot reversals—he even engages in some worldbuilding by seeding the book with eerie interstitial elements like news reports and advertisements that help portray a world going to hell in real time. It’s a dizzying ride in which the novel’s execution is as nimble as its freaky ideas.

A farsighted thriller about what happens when people really do think differently.

Pub Date: July 16, 2013

ISBN: 978-1-6110-9969-0

Page Count: 439

Publisher: Thomas & Mercer

Review Posted Online: Dec. 6, 2015

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CEMETERY ROAD

Formulaic but fun.

Bad things are astir on the banks of the Big Muddy, hallmark territory for homeboy Iles (Mississippi Blood, 2017, etc.).

“Buck’s passing seems a natural place to begin this story, because that’s the way these things generally start.” Yep. This particular bit of mischief starts when a Scoutmaster, surrogate father, and all-around good guy gets his head bashed in and his body dumped into the Mississippi. And why? That’s the tangled tale that Iles weaves in this overlong but engaging yarn. Thanks to the back-room dealing of a bunch called the Poker Club, the little river-bluff city of Bienville has brought a Chinese paper pulp mill to town and, with it, a new interstate connection and a billion dollars—which, a perp growls, is a billion dollars “in Mississippi. That’s like ten billion in the real world.” But stalwart journalist Marshall McEwan—that’s McEwan, not McLuhan—is on the case, back in town after attaining fame in the big city, to which he’d escaped from the shadow of his journalist hero father, now a moribund alcoholic but with plenty of fire left. Marshall’s old pals and neighbors have been up to no good; the most powerful of them are in the club, including an old girlfriend named Jet, who is quick to unveil her tucked-away parts to Marshall and whose love affairs in the small town are the makings of a positively Faulknerian epic. Iles’ story is more workaday than all that and often by the numbers: The bad guys are really bad, the molls inviting (“she steals her kiss, a quick, urgent probing of the tongue that makes clear she wants more"), the politicians spectacularly corrupt, the cluelessly cuckolded—well, clueless and cuckolded, though not without resources for revenge. As Marshall teases out the story of murder most foul, other bodies litter the stage—fortunately not his, which, the club members make it plain, is very much an option. In the end, everyone gets just deserts, though with a few postmodernly ironic twists.

Formulaic but fun.

Pub Date: March 5, 2019

ISBN: 978-0-06-282461-5

Page Count: 752

Publisher: Morrow/HarperCollins

Review Posted Online: Dec. 22, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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WHAT SHE KNEW

While there’s little new ground broken, the missing child scenario, when done reasonably well, as it is here, is a reliable...

The search for a missing boy is seen through the split perspective of his frantic mother and the police detective determined to solve the case, despite its deleterious effect on his psychological health.

Newly divorced photographer mum Rachel Jenner thought she was giving her 8-year-old son, Ben Finch, a bit of freedom when she let him run ahead during a walk in a Bristol park. But when Ben vanishes, Rachel immediately blames herself, and the media is quick to paint her as a neglectful parent, too. Macmillan, in her debut, leans a bit hard on the “bad mother” trope, one that’s been well-trodden in recent fiction, but she creates a compellingly complex investigator in DI Jim Clemo. The narrative is split not only between Rachel's and Clemo’s perspectives, but also Clemo’s post-investigation sessions with a department-ordered shrink, indicating that however the Finch investigation turned out, it wasn’t pretty. As Rachel waits and frets at home, often in the company of her high-achieving older sister, Nicky, who clearly knows more than she lets on, Clemo and his fellow officers, including his secret girlfriend, DC Emma Zhang, whom he perhaps unwisely recommended as Family Liaison Officer for the case, try to piece together a case from a dearth of physical evidence. The requisite family secrets come to light, though Macmillan gets credit for some truly clever red herrings.

While there’s little new ground broken, the missing child scenario, when done reasonably well, as it is here, is a reliable hook, and with Macmillan’s taut pacing, this is an engaging debut.

Pub Date: Dec. 1, 2015

ISBN: 978-0-06-241386-4

Page Count: 448

Publisher: Morrow/HarperCollins

Review Posted Online: Nov. 2, 2015

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