The themes are quintessentially Atwoodian: a little terror, a lot of ennui, and women's hunger for exactly the things they detest most (or so they think). But those themes emerge somewhat less effectively from these stories than they usually do from Atwood's poems and novels. In "The Man From Mars," a fat college girl is hounded by an importunate foreign exchange student; from harmless pest, he turns into sexual predator, then ultimately a necessary (if fantastical) drug for the girl. "Dancing Girls" also treats of foreignness: a Toronto boardinghouse in which speculation is as strong as reality. In "When It Happens," a farm wife ponders the specifics of the end of the world; "Betty" evokes the tawdry mysteriousness of a spurned wife; in "Under Glass," a sloppy boyfriend is so disorderly as to be caught unfaithful to his girl just before they're to move in together. And in at least another four stories, too, romantic couples come off as casualties—with Atwood's frequently brilliant tableaux of frustration and mutual disappointment. (Also striking: the use of Toronto's internationalism as background in some of the work here.) Still, the story form finally seems a little inhospitable to Atwood's unsparingly discomforting talent, which benefits most from a poem's distillation or a novel's large clemency; and these pieces, too short for real development but long enough to become terribly dreary, offer only flickering evidence of Atwood's substantial gifts.
Pub Date: Sept. 20, 1982
ISBN: 0385491093
Page Count: -
Publisher: Simon & Schuster
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Sept. 1, 1982
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
Visionary speculative stories that will change the way readers see themselves and the world around them: This book delivers...
Exploring humankind's place in the universe and the nature of humanity, many of the stories in this stellar collection focus on how technological advances can impact humanity’s evolutionary journey.
Chiang's (Stories of Your Life and Others, 2002) second collection begins with an instant classic, “The Merchant and the Alchemist’s Gate,” which won Hugo and Nebula awards for Best Novelette in 2008. A time-travel fantasy set largely in ancient Baghdad, the story follows fabric merchant Fuwaad ibn Abbas after he meets an alchemist who has crafted what is essentially a time portal. After hearing life-changing stories about others who have used the portal, he decides to go back in time to try to right a terrible wrong—and realizes, too late, that nothing can erase the past. Other standout selections include “The Lifecycle of Software Objects,” a story about a software tester who, over the course of a decade, struggles to keep a sentient digital entity alive; “The Great Silence,” which brilliantly questions the theory that humankind is the only intelligent race in the universe; and “Dacey’s Patent Automatic Nanny,” which chronicles the consequences of machines raising human children. But arguably the most profound story is "Exhalation" (which won the 2009 Hugo Award for Best Short Story), a heart-rending message and warning from a scientist of a highly advanced, but now extinct, race of mechanical beings from another universe. Although the being theorizes that all life will die when the universes reach “equilibrium,” its parting advice will resonate with everyone: “Contemplate the marvel that is existence, and rejoice that you are able to do so.”
Visionary speculative stories that will change the way readers see themselves and the world around them: This book delivers in a big way.Pub Date: May 8, 2019
ISBN: 978-1-101-94788-3
Page Count: 368
Publisher: Knopf
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
BOOK REVIEW
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