This enchanted adventure tale from the Changs (The Beggar’s Magic, 1997, etc.) rolls along smoothly, telling of a poor but thoughtful and diligent son of a peasant in China. Da Wei has inherited a stone from the sea, given to his father by a fisherman he once befriended; the stone is rumored to have wealth-bestowing powers. It’s true—the stone sparks an adventure that leads Da Wei to a mansion beneath the sea. Although he leaves the mansion with only a kitten, it turns into a fabulously talented embroideress from the Jade Court, Lian Di, who had a spell cast on her by jealous rivals. Lian Di’s embroidery and Da Wei’s hard work ensure their joy and wealth. A last episode, in which a greedy magistrate threatens their happiness and Lian Di works yet another bit of wizardry to save them, overplays the element of magic and diffuses all dramatic tension; readers will have to take on faith Da Wei’s cleverness, diligence, and intelligence. McElrath-Eslick’s artwork is handsome and evocative, dreamy but with enough detail to keep readers’ eyes busy. (Picture book. 5-9)
Pub Date: May 1, 1999
ISBN: 0-689-81835-1
Page Count: 32
Publisher: McElderry
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1999
In The Palm Of Darkness ($21.00; May 1997; 192 pp.; 0-06-018703- 4): A Cuban writers's intensely imaginative portrait of the extremities of Haitian culture rings some fresh changes on the overfamiliar theme of intellectual arrogance humbled by its collision with ``elemental'' peasant wisdom. Montero subtly builds up a revealing contrast between Victor Griggs, a European herpetologist searching for the remaining specimens of an endangered species of amphibian, and his native guide Thierry Adrien's memories of his family's encounter with the island's ubiquitous spirits. This truly original novel is studded with surprises—not least of which is the concept of a species suddenly and entirely disappearing in a milieu where the living and the dead are known to mingle together more or less matter-of-factly. A refreshingly sophisticated treat. (Author tour)
Pub Date: May 1, 1997
ISBN: 0-06-018703-4
Page Count: 192
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1997
PLB 0-7868-2125-6 As is true for Pam Conrad’s Tub People, the events in a matryoshka doll’s life depend on external manipulations and circumstances; in this case, it makes the story of a perilous journey fall somewhat flat. A set of the nesting dolls is carved in a Russian village and then sent to a toy shop in America. The outer doll, Anna, has been instructed by the maker to watch over her siblings—“Keep your sisters safe inside you”—but there is nothing she can do when the smallest doll, Nina, is accidentally brushed off the counter and unceremoniously kicked out the door. It is an odyssey in which she has absolutely no active part, nor does she have reactions, for all she possesses is a blank matryoshka face. In the meantime, a young girl who has bought the rest of the set on sale charmingly tucks a little wad of cotton into the next-to-smallest doll so she won’t feel empty. Brown’s atmospheric but docile watercolors often view the matryoshka dolls from a distance, furthering the sense that the story is about events surrounding the dolls, instead of the dolls themselves. An author’s note on the history of matryoshkas is a welcome touch. (Picture book. 4-8)
Pub Date: Sept. 1, 1999
ISBN: 0-7868-0153-0
Page Count: 32
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
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