An entertaining book filled with memorable characters who tread glibly through the realms of both the living and the dead.
The sequel to Killjoy’s The Lamb Will Slaughter the Lion (2017) finds Danielle Cain and her anarcho-punk gang of demon-hunting novice mages on the lam, in the cross hairs, and glistening with undead magic.
The second installment of the Danielle Cain series opens where the first left off. Danielle (not Dani) and her newfound friends Doomsday, Thursday, Vulture, and Brynn are on the run from both the regular police and the magic police as the result of their gory defeat of a vengeful protector spirit in the form of a blood-red, three-antlered deer. Unsure of what to do next, the group forms a loose plan: to seek out shelter, arcane knowledge and instruction, and new demons to combat. After an accident wrecks their ride, the group hitchhikes into the small town of Pendleton, Montana, and right into the web of a deranged necromancer whose spells carry with them the threat of apocalypse. With the help of new friends Vasilis and Heather—fellow anarchists and occultists who have taken over the town library to save it from dissolution—Danielle’s group sets themselves the task of ferreting out the necromancer and solving the mysterious, and perhaps not coincidental, disappearance of the librarians’ friends Damien, Isola, and Loki. Filled with riotous bonhomie, a determined sense of social justice, and the deeply enjoyable banter of characters who live on the fringes of fringe society, the novel patters along quickly as it wiggles through the convolutions of its plot. Yet, as entertaining as reanimated anarchists, zombie hands, and magic feds are to read about, the author’s real interest lies in the deepening friendships and developing romances that are taking place within her core group of characters. In this way, she sets herself up for a third installation in which both characters and readers genuinely want to know what happens next.
An entertaining book filled with memorable characters who tread glibly through the realms of both the living and the dead.Pub Date: April 3, 2018
ISBN: 978-0-7653-9737-9
Page Count: 112
Publisher: Tor
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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