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THE SAPLING CAGE

An almost whimsical tale of witches and knights, infused with queer representation.

A girl discovering who she is joins a coven of witches as the land around her stands on the brink of change.

Sixteen-year-old Lorel has always known she's a girl and not a boy, but of the people in her town only her mother and her best friend, Lane, know. Lane was promised to the witches, but she has no interest in joining them and so the two decide to switch places: Lorel will join the witches, living as a girl for the first time, and Lane will become a knight. Though Lorel worries that her secret will be discovered through the witches’ magic, she is accepted into the Order of the Vine and slowly begins to find camaraderie—and rivalry—among the other trainees, or whelps, of the Order. As the coven journeys across the land, they find that a blight is spreading, turning trees cold, fueled by an uncanny magic. To find and stop whoever is responsible for the blight, the witches must form an uneasy alliance with the knights, many of whom have never trusted the witches. As Lorel and the other whelps face battle, death, and more, they must learn whether they can rely on each other and where their place is in the world. Told in a fairy tale–like style, the narrative does not focus on Lorel’s transgender identity, but instead weaves her coming-of-age story into a larger narrative of factions vying for power and a world changing. Quiet, despite the looming threat of war, this is an exploration of relationships of all kinds and the belonging one can find in sisterhood.

An almost whimsical tale of witches and knights, infused with queer representation.

Pub Date: Sept. 24, 2024

ISBN: 9781558613317

Page Count: 320

Publisher: Feminist Press

Review Posted Online: Aug. 17, 2024

Kirkus Reviews Issue: Oct. 1, 2024

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FOURTH WING

From the Empyrean series , Vol. 1

Read this for the action-packed plot, not character development or worldbuilding.

On the orders of her mother, a woman goes to dragon-riding school.

Even though her mother is a general in Navarre’s army, 20-year-old Violet Sorrengail was raised by her father to follow his path as a scribe. After his death, though, Violet's mother shocks her by forcing her to enter the elite and deadly dragon rider academy at Basgiath War College. Most students die at the War College: during training sessions, at the hands of their classmates, or by the very dragons they hope to one day be paired with. From Day One, Violet is targeted by her classmates, some because they hate her mother, others because they think she’s too physically frail to succeed. She must survive a daily gauntlet of physical challenges and the deadly attacks of classmates, which she does with the help of secret knowledge handed down by her two older siblings, who'd been students there before her. Violet is at the mercy of the plot rather than being in charge of it, hurtling through one obstacle after another. As a result, the story is action-packed and fast-paced, but Violet is a strange mix of pure competence and total passivity, always managing to come out on the winning side. The book is categorized as romantasy, with Violet pulled between the comforting love she feels from her childhood best friend, Dain Aetos, and the incendiary attraction she feels for family enemy Xaden Riorson. However, the way Dain constantly undermines Violet's abilities and his lack of character development make this an unconvincing storyline. The plots and subplots aren’t well-integrated, with the first half purely focused on Violet’s training, followed by a brief detour for romance, and then a final focus on outside threats.

Read this for the action-packed plot, not character development or worldbuilding.

Pub Date: May 2, 2023

ISBN: 9781649374042

Page Count: 528

Publisher: Red Tower

Review Posted Online: Jan. 12, 2024

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VICTORIOUS

Who is victorious? The author and the readers.

The conclusion to the Villains trilogy asks, In a world where there are no heroes, what does victory really mean?

Schwab’s world is one where violent near-death experiences can engender ExtraOrdinaries, people who come back to life with a new superpowered ability, but lacking empathy, patience, and a variety of other, gentler qualities. In this installment, Victor Vale is becoming increasingly desperate; ever since Sydney Clarke used her power to bring him back from the dead, control over his own ability to cause and dampen pain has been slipping. Sydney herself is chafing against her life on the run with Victor’s protective ex-cellmate, Mitch Turner, and struggling with missing both Victor and her dead sister, Serena, whom she might not be able to resurrect—and definitely shouldn’t. Meanwhile, a psychiatrist, Dr. Gabriel Gray, discovers the existence of ExtraOrdinary people and seeks to harness their power for himself with tragic consequences for himself and many other people. Because the narrative skips around in time, it becomes clear fairly early that a final conflict is looming at EON, a high-tech facility where ExtraOrdinaries are imprisoned and experimented upon. This series has really lived up to its title; while antiheroes and villains have been popular protagonists for quite some time, not every writer is willing to lean into the darkness as hard as Schwab does. Some of her characters were psychopaths even before their near-death traumas, which means they didn’t have much moral fiber to begin with. And even the people who are basically good do a lot of bad and often foolish things when faced with a crisis…and there are a lot of crises. The strength of this series lies in Schwab’s ExtraOrdinary power to make you care for many of these incredibly rash, ethically dubious—some verging on irredeemable—characters anyway. As a result, the story rises above the usual grimdark cynical slog; instead, this is a gripping and nuanced saga with an ending that feels both inevitable and well earned.

Who is victorious? The author and the readers.

Pub Date: Oct. 6, 2026

ISBN: 9781250192233

Page Count: 592

Publisher: Tor

Review Posted Online: Sept. 25, 2026

Kirkus Reviews Issue: Nov. 1, 2026

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