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RIVERS IN THE DESERT

WILLIAM MULHOLLAND AND THE INVENTING OF LOS ANGELES

Sluggish account of the financial and political maneuverings that marked efforts to bring water to the arid Los Angeles Basin at the turn of the century. Realizing that their drought-plagued city's growth would be checked unless immense supplies of water could be made readily available, officials of the Los Angeles Department of Water and Power (headed by engineer William Mulholland), in conjunction with local politicians, devised a plan to divert the water of northern California's Owens River through a monumental system of aqueducts, canals, tunnels, and reservoirs 250 miles south to L.A. When word of the plan spread, a land boom resulted, particularly in the desertlike San Fernando Valley. Once the conduit system was in place—after an incredible effort involving thousands of workers and six years of backbreaking labor—irate residents living near the Owens River, deprived of the water essential to their agriculture-based economy, tried to sabotage the system with derringers, dynamite, and demonstrations. The tense situation continued until March 12, 1928, when a major dam in the system collapsed, causing millions of dollars in property damage and more than five hundred deaths. During an official inquiry, Mulholland took responsibility for the catastrophe but was cleared of criminal charges. He died in 1935, a broken man—and in the years since, the Colorado River has replaced the Owens as L.A.'s water source. All this should have made for an engrossing narrative (Mulholland's debacle formed the basis of the film Chinatown), but Davis writes with little color or inflection. Though she centers her narrative on Mulholland, she never gets beneath the surface of his obsessive, autocratic personality—nor does she supply insights into the boomtown boosterism that pervaded official L.A. circles and prompted the grandiose plan in the first place. Exciting when detailing the harrowing dam collapse, but this episode isn't enough to energize an otherwise lackluster presentation. (Thirty b&w photographs—not seen)

Pub Date: July 28, 1993

ISBN: 0-06-016698-3

Page Count: 320

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1993

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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