Abstraction and surrealism pull this fantasy almost all the way into the adult section. Heriot, a farmboy, wrestles with nightmare-like visions. They alienate him from his family, but when a King’s Lord claims Heriot as the King’s Magician, he runs away, wishing to stay home. Nevertheless he reaches the King’s city and becomes the Magician anyway, beginning a multi-pronged exploration of fate and inevitability. Fascinatingly, Hoad’s two power positions, King and Hero, are each both a human man and a mythical symbol. These living icons supposedly keep the land stable but actually inspire murderous ambition. Action unfolds slowly; Heriot spends from age 12 to his mid-20s seeking what he’s meant to be, which, when finally realized, is anticlimactic. A tight misery plagues the handful of main characters, and their emotional alienation may distance readers who struggle to understand the many unexplained images. (Readers may also be puzzled to see Heriot, described as a copper-skinned, black-haired boy in the text, depicted as a brown-haired, light-skinned boy on the cover.) Some deep and quenching revelations arrive, finally, but this poetically cryptic prose is for readers who prefer adult fare. (Fantasy. 15 & up)
Pub Date: Nov. 10, 2009
ISBN: 978-1-4169-7807-7
Page Count: 424
Publisher: McElderry
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2009
A celebratory song of the sea.
A shrimpy 13-year-old with a super-sized passion for marine life comes of age during a summer of discovery on the tidal flats of Puget Sound.
Miles O’Malley—Squid Boy to his friends—doesn’t mind being short. It’s other things that keep him awake at night, like his parents’ talk of divorce and his increasingly lustful thoughts about the girl next door. Mostly, though, it’s the ocean’s siren call that steals his sleep. During one of his moonlit kayak excursions, Miles comes across the rarest sighting ever documented in the northern Pacific: the last gasp of a Giant Squid. Scientists are stunned. The media descend. As Miles continues to stumble across other oddball findings, including two invasive species that threaten the eco-balance of Puget Sound, a nearby new-age cult’s interest in Miles prompts a headline in USA Today: Kid Messiah? Soon tourists are flocking to the tidal flats, crushing crustaceans underfoot and painting their bodies with black mud. Dodging disingenuous journalists, deluded disciples and the death-throes of his parents’ marriage, Miles tries to recapture some semblance of normality. He reads up on the G-spot and the Kama Sutra to keep pace with his pals’ bull sessions about sex (hilariously contributing “advanced” details that gross the other boys out). But Miles’s aquatic observations cannot be undone, and as summer draws to a close, inhabitants of Puget Sound prepare for a national blitzkrieg of media and scientific attention and the highest tide in 40 years, all of which threatens everything Miles holds dear. On land, the rickety plot could have used some shoring up. Miles is just too resourceful for the reader to believe his happiness—or that of those he loves—is ever at stake. But when Miles is on the water, Lynch’s first novel becomes a stunning light show, both literal, during phosphorescent plankton blooms, and metaphorical, in the poetic fireworks Lynch’s prose sets off as he describes his clearly beloved Puget Sound.
A celebratory song of the sea.Pub Date: Sept. 8, 2005
ISBN: 1-58234-605-4
Page Count: 272
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2005
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An eighth grader discovers five schoolmates with psychic powers in this amateurish effort from Lubar. Martin, who was expelled from every other junior high in six counties for mouthing off, is consigned to prison-like Edgeview Alternative School, along with other violent or nerdy teens deemed hopeless misfits. While trying to avoid both the ready fists of hulking bully Lester Bloodbath and the shock therapy meted out by Principal Davis, he meets Torchy, who can start fires without matches or lighters, Cheater Woo, whose test answers are always identical to someone else’s, and several others with odd, unconscious talents. Interspersing Martin’s tediously self-analytical narrative with flat attempts at humor, trite student essays, repetitive memos to faculty, and mawkish letters from home, Lugar draws the tale to a paradoxical climax in which the self-styled “psi five” scuttle Bloodbath’s plot to close the school down, but then do their best to earn releases. After realizing that he is psychic, able to read people’s deepest fears and hopes, Martin abruptly acquires a sense of responsibility and resolves never to abuse his talent. Padded with aimless subplots and earnest efforts to drum up sympathy for the one-dimensional cast’s brutal bullies and ineffectual teachers, this contrived story is a weak alternative to Stephanie Tolan’s Welcome to the Ark (1996) or Willo Davis Roberts’s The Girl with the Silver Eyes (1980). (Fiction. 12-15)
Pub Date: June 1, 1999
ISBN: 0-312-86646-1
Page Count: 213
Publisher: Tor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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