This conversation-starting first in a series is a penetrating science-fiction thriller that adroitly explores the issue of...



From the Children of Exile series , Vol. 1

Rosi’s life falls from idyllic to devastating when she and her friends are returned to their biological parents.

In Fredtown, everyone lives by utopian principles of good citizenship, such as, “You use your words and your wits and you settle disputes peaceably.” Twelve-year-old Rosi, her little brother, Bobo, and the dozens of other Fredtown children all know that the Fred-parents are not their real parents—and that it’s too dangerous to go home. Life is almost perfect, until the day the entire population of children is put on a plane, leaving the Fred-parents to live with their own. Their hometown, achingly poor, falling apart, and crime-ridden, is the terrifying opposite of clean and tidy Fredtown. In a setup bound to stir feelings in adopted readers, Rosi and Bobo’s birth parents are mean; the father is blind and maimed, the mother’s face is a ruin of sadness and rage. When Rosi is beaten by a crowd of adults in the outdoor market, it becomes clear that both the biological parents and the Fred-parents are harboring terrible secrets that are somehow connected to eye color: Rosi’s and their birth mother’s are green, while Bobo’s and their birth father’s are brown. This chiller is locked-in riveting, written in the voice of the brave but naïve Rosi. Using the arbitrary distinction between eye colors, Haddix brilliantly scrutinizes racial violence without mentioning physical characteristics beyond eyes and nose.

This conversation-starting first in a series is a penetrating science-fiction thriller that adroitly explores the issue of prejudice. (Science fiction. 11-14)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4424-5003-5

Page Count: 304

Publisher: Simon & Schuster

Review Posted Online: June 22, 2016

Kirkus Reviews Issue: July 1, 2016

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A sly, side-splitting hoot from start to finish.


The dreary prospect of spending a lifetime making caskets instead of wonderful inventions prompts a young orphan to snatch up his little sister and flee. Where? To the circus, of course.

Fortunately or otherwise, John and 6-year-old Page join up with Boz—sometime human cannonball for the seedy Wandering Wayfarers and a “vertically challenged” trickster with a fantastic gift for sowing chaos. Alas, the budding engineer barely has time to settle in to begin work on an experimental circus wagon powered by chicken poop and dubbed (with questionable forethought) the Autopsy. The hot pursuit of malign and indomitable Great-Aunt Beauregard, the Coggins’ only living relative, forces all three to leave the troupe for further flights and misadventures. Teele spins her adventure around a sturdy protagonist whose love for his little sister is matched only by his fierce desire for something better in life for them both and tucks in an outstanding supporting cast featuring several notably strong-minded, independent women (Page, whose glare “would kill spiders dead,” not least among them). Better yet, in Boz she has created a scene-stealing force of nature, a free spirit who’s never happier than when he’s stirring up mischief. A climactic clutch culminating in a magnificently destructive display of fireworks leaves the Coggin sibs well-positioned for bright futures. (Illustrations not seen.)

A sly, side-splitting hoot from start to finish. (Adventure. 11-13)

Pub Date: April 12, 2016

ISBN: 978-0-06-234510-3

Page Count: 352

Publisher: Walden Pond Press/HarperCollins

Review Posted Online: Dec. 22, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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Not for the faint of heart or stomach (or maybe of any parts) but sure to be appreciated by middle school zombie cognoscenti.


Upton Sinclair’s The Jungle meets Left for Dead/The Walking Dead/Shaun of the Dead in a high-energy, high-humor look at the zombie apocalypse, complete with baseball (rather than cricket) bats.

The wholesome-seeming Iowa cornfields are a perfect setting for the emergence of ghastly anomalies: flesh-eating cows and baseball-coach zombies. The narrator hero, Rabi (for Rabindranath), and his youth baseball teammates and friends, Miguel and Joe, discover by chance that all is not well with their small town’s principal industry: the Milrow corporation’s giant feedlot and meat-production and -packing facility. The ponds of cow poo and crammed quarters for the animals are described in gaggingly smelly detail, and the bone-breaking, bloody, flesh-smashing encounters with the zombies have a high gross-out factor. The zombie cows and zombie humans who emerge from the muck are apparently a product of the food supply gone cuckoo in service of big-money profits with little concern for the end result. It’s up to Rabi and his pals to try to prove what’s going on—and to survive the corporation’s efforts to silence them. Much as Bacigalupi’s Ship Breaker (2010) was a clarion call to action against climate change, here’s a signal alert to young teens to think about what they eat, while the considerable appeal of the characters and plot defies any preachiness.

Not for the faint of heart or stomach (or maybe of any parts) but sure to be appreciated by middle school zombie cognoscenti. (Fiction. 11-14)

Pub Date: Sept. 10, 2013

ISBN: 978-0-316-22078-1

Page Count: 304

Publisher: Little, Brown

Review Posted Online: June 26, 2013

Kirkus Reviews Issue: July 15, 2013

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