From the author of Don't You Dare Read This, Mrs. Dunphey (1996), a chilling portrait of an insecure teenager gradually relinquishing her autonomy to a religious cult after she moves from a small Ohio town to a large, impersonal Indianapolis suburb. Fishers of Men is headed by charismatic Pastor Jim, and its members—ordinary students at her high school who don't immediately tell her of the group—surround awkward, friendless Dorry with acceptance and affection when she is most lonely and vulnerable. Haddix paints a wholly convincing picture of the slow, insidious stages by which Dorry is ``caught,'' the dynamics of manipulation, obligation, and intimidation that enmesh her so firmly that Fishers becomes the center of her life. Trying desperately to satisfy Pastor Jim's demands for evangelism, Dorry—recalling the efforts of the religious fanatic in Richard Peck's The Last Safe Place on Earth (1995)—attempts to ``convert'' the small children she baby- sits and terrifies them with tales of hellfire and damnation. Their furious mother banishes the teenager from the house; only then does Dorry realize that she has become something monstrous and so extricates herself from Fishers. Tightly written, with well-drawn characters, and demonstrating insight into the psychology of belief and affiliation, this cautionary novel is in no way anti-religious: Dorry has found genuine meaning in worship and prayer, and at the end of the book, continues her spiritual journey, but in her own way. (Fiction. 12+)
Pub Date: Nov. 1, 1997
ISBN: 0-689-81125-X
Page Count: 211
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1997
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK TO SCREEN
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