by Margaret Stohl ‧ RELEASE DATE: Oct. 13, 2015
Fans of the Marvel Universe aren’t by definition stupid, and even though they will be jazzed by the schmaltzy heroic high...
A homeless Ukrainian girl, a suburban American boy, and a world-famous superheroine save the world.
Eight years ago, Natasha Romanov rescued a little girl from Natasha's own evil father figure, Ivan the Strange, and promised the child she'd always be there for her. Then Natasha—the Avenger known as the Black Widow—vanished from Ava Orlova's life, leaving her in the questionable care of the government agency S.H.I.E.L.D. Now Ava is a fiercely independent teen living in the basement of a Brooklyn YWCA. Ava has free fencing lessons and her ongoing dreams of a mysterious tattooed boy she calls Alexei Manorovsky; what else does she need? When her best friend convinces her to join a fencing tournament, she chances upon both her tattooed dream boy and the Black Widow. The Black Widow insists Ava is in danger and must be protected; Alex Manor, entranced by Ava, demands to help. In the ensuing explosion-packed adventure, Alex spouts pop culture ("Fifty points for Ivanclaw"), all three protagonists get their own overwrought dramatic arcs, and cameos from Marvel characters such as Tony Stark and Phil Coulson enhance the fan appeal. Unfortunately, the plot development is largely incoherent, and worldbuilding feels phoned-in. The portrayal of Ukrainian culture owes more to Cold War comics than reality, and evil Ivan's mad-scientist bunker laboratory could be recycled from almost any other action-movie commie supervillain’s.
Fans of the Marvel Universe aren’t by definition stupid, and even though they will be jazzed by the schmaltzy heroic high jinks, they still deserve better than this . (Adventure. 11-14)Pub Date: Oct. 13, 2015
ISBN: 978-1-4847-2643-3
Page Count: 400
Publisher: Marvel Press
Review Posted Online: July 26, 2015
Kirkus Reviews Issue: Aug. 15, 2015
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by Rae Carson ‧ RELEASE DATE: Sept. 1, 2011
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel,...
Adventure drags our heroine all over the map of fantasyland while giving her the opportunity to use her smarts.
Elisa—Princess Lucero-Elisa de Riqueza of Orovalle—has been chosen for Service since the day she was born, when a beam of holy light put a Godstone in her navel. She's a devout reader of holy books and is well-versed in the military strategy text Belleza Guerra, but she has been kept in ignorance of world affairs. With no warning, this fat, self-loathing princess is married off to a distant king and is embroiled in political and spiritual intrigue. War is coming, and perhaps only Elisa's Godstone—and knowledge from the Belleza Guerra—can save them. Elisa uses her untried strategic knowledge to always-good effect. With a character so smart that she doesn't have much to learn, body size is stereotypically substituted for character development. Elisa’s "mountainous" body shrivels away when she spends a month on forced march eating rat, and thus she is a better person. Still, it's wonderfully refreshing to see a heroine using her brain to win a war rather than strapping on a sword and charging into battle.
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel, reminiscent of Naomi Kritzer's Fires of the Faithful (2002), keeps this entry fresh. (Fantasy. 12-14)Pub Date: Sept. 1, 2011
ISBN: 978-0-06-202648-4
Page Count: 432
Publisher: Greenwillow Books
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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by Leza Lowitz ‧ RELEASE DATE: Jan. 12, 2016
It’s the haunting details of those around Kai that readers will remember.
Kai’s life is upended when his coastal village is devastated in Japan’s 2011 earthquake and tsunami in this verse novel from an author who experienced them firsthand.
With his single mother, her parents, and his friend Ryu among the thousands missing or dead, biracial Kai, 17, is dazed and disoriented. His friend Shin’s supportive, but his intact family reminds Kai, whose American dad has been out of touch for years, of his loss. Kai’s isolation is amplified by his uncertain cultural status. Playing soccer and his growing friendship with shy Keiko barely lessen his despair. Then he’s invited to join a group of Japanese teens traveling to New York to meet others who as teenagers lost parents in the 9/11 attacks a decade earlier. Though at first reluctant, Kai agrees to go and, in the process, begins to imagine a future. Like graphic novels, today’s spare novels in verse (the subgenre concerning disasters especially) are significantly shaped by what’s left out. Lacking art’s visceral power to grab attention, verse novels may—as here—feel sparsely plotted with underdeveloped characters portrayed from a distance in elegiac monotone. Kai’s a generic figure, a coat hanger for the disaster’s main event, his victories mostly unearned; in striking contrast, his rural Japanese community and how they endure catastrophe and overwhelming losses—what they do and don’t do for one another, comforts they miss, kindnesses they value—spring to life.
It’s the haunting details of those around Kai that readers will remember. (author preface, afterword) (Verse fiction. 12-14)Pub Date: Jan. 12, 2016
ISBN: 978-0-553-53474-0
Page Count: 272
Publisher: Crown
Review Posted Online: Sept. 15, 2015
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