A vibrant snapshot of modern Cuba, full of rich, sensory detail.
Off to Havana!
A boy is thrilled to visit his new cousin in the city, but another member of the family, the beautiful, blue antique car called Cara Cara, isn’t quite ready yet. (The importance of family and the fact that technology and money are in limited supply come together in the affection the boy holds for Cara Cara, the family heirloom that’s been inventively repaired over many years and will belong to the boy himself someday.) Finally, after the boy and his father tinker under the hood, they are off. Colorful, detailed illustrations and animated, evocative text, peppered with Spanish and full of the excitement of a journey, guide readers through their small Cuban town, over roadways, and past other vintage cars to the destination—a family celebration! Energetic descriptions engage virtually all of the senses and will draw in readers across gender, race—the characters are primarily brown-skinned, and the protagonist’s family is mixed-race, with a black father and pale-skinned mother—and nationality, while politics go unmentioned, as appropriate to the age of the audience. By focusing on the boy’s observations and experiences—clothing hanging on a line, the understanding that you’ll always give your neighbors a ride, the sights and sounds of old cars, the presence of crumbling balconies, the scent of the sea—Engle and Curato provide a child’s view of Cuba that is extremely accessible and as striking as it is unforgettable.
A vibrant snapshot of modern Cuba, full of rich, sensory detail. (Picture book. 3-8)Pub Date: Aug. 29, 2017
ISBN: 978-1-62779-642-2
Page Count: 40
Publisher: Henry Holt
Review Posted Online: April 25, 2017
Kirkus Reviews Issue: May 15, 2017
A tale of intergenerational bonding to be shared by grandparents and grandchildren.
In talk-show host Fallon and illustrator Ordóñez’s latest picture-book collaboration, an elderly pooch waxes rhapsodic about a life well lived.
Observing Papa sitting in his chair watching TV all day, a young pup says, “I’m starting to think…you don’t do ANYTHING.” So Papa proceeds to list his accomplishments, both big and small, mundane and profound. Some are just a result of being older and physically bigger (being tall enough to reach a high shelf and strong enough to open jars); others include winning a race and performing in a band when he was younger. Eventually, the pup realizes that while Papa may have slowed down in his old age, he’s led a full life. The most satisfying thing about Papa’s life now? Watching his grandchild take center stage: “I can say lots of thoughts / but I choose to be quiet. / I’d rather you discover things and then try it.” Fallon’s straightforward text is sweetly upbeat, though it occasionally lacks flow, forcing incongruous situations together to fit the rhyme scheme (“I cook and I mow, / and I once flew a plane. // I play newspaper puzzles because it’s good for my brain”). Featuring uncluttered, colorful backgrounds, Ordóñez’s child-friendly digital art at times takes on sepia tones, evoking the sense of looking back at old photos or memories. Though the creators tread familiar ground, the love between Papa and his little one is palpable.
A tale of intergenerational bonding to be shared by grandparents and grandchildren. (Picture book. 3-6)Pub Date: May 13, 2025
ISBN: 9781250393975
Page Count: 40
Publisher: Feiwel & Friends
Review Posted Online: May 3, 2025
Kirkus Reviews Issue: June 1, 2025
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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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