A beautiful account of a young girl’s bravery and her important contribution toward gender equality in the creative arts.
Pura Belpré winner and Newbery honoree Engle, known for writing free-verse historical fiction, introduces readers to Millo Castro Zaldarriaga with this illustrated poem, inspired by her subject’s childhood.
Millo became a world-famous musician at quite a young age. Before fame, however, as Engle’s account attests, there is struggle. Millo longs to play the drums, but in 1930s Cuba, drumming is taboo for girls, “so the drum dream girl / had to keep dreaming / quiet / secret / drumbeat / dreams.” This doesn’t stop Millo; she dares to let her talent soar, playing every type of drum that she can find. Her sisters invite her to join their all-girl band, but their father refuses to allow Millo to play the drums. Eventually, her father softens, connecting her with a music teacher who determines that her talent is strong enough to override the social stigma. The rhythmic text tells Millo’s story and its significance in minimal words, with a lyricism that is sure to engage both young children and older readers. López’s illustrations are every bit as poetic as the narrative, a color-saturated dreamscape that Millo dances within, pounding and tapping her drums. Though it’s not explicit in the text, her mixed Chinese-African-Cuban descent is hinted at in the motifs López includes.
A beautiful account of a young girl’s bravery and her important contribution toward gender equality in the creative arts. (historical note) (Picture book. 3-8)Pub Date: March 24, 2015
ISBN: 978-0-544-10229-3
Page Count: 48
Publisher: HMH Books
Review Posted Online: Dec. 5, 2014
Kirkus Reviews Issue: Dec. 15, 2014
Black and brown nature lovers, here’s one to read and share
Mother-daughter author-illustrator team Anne (who passed away in April 2018) and Lizzy Rockwell have crafted a quiet story that positively portrays a black family spending time in nature. While this shouldn’t be a news flash in 2018, it is.
A black family—mom, dad, and daughter—drives 20 minutes away from their suburb for a day hike up Hickory Hill, where they enjoy the flora, fauna, and autumnal changes. The higher they climb, the sparser the vegetation becomes until they reach the summit and take in the expansive views. This picture book offers a rare snapshot of a family of color spending quality family time in the woods. Since they think they are lost at one point, perhaps they have not hiked often, but this does not dampen their enthusiasm. Several animals make an appearance in the watercolor illustrations, done in a soft, mostly pastel palette, including a porcupine, birds, a deer, a chipmunk, and a toad. The young female narrator describes the woodpecker she sees as redheaded; this, too, suggests that she hasn’t done much bird-watching since the bird is a pileated woodpecker, and a kid who had grown up birding would know it by both sound and sight. Still, readers will appreciate the daughter’s delight as she chooses the trail to hike and really notices her surroundings.
Black and brown nature lovers, here’s one to read and share . (Picture book. 4-8)Pub Date: Sept. 25, 2018
ISBN: 978-1-4814-2737-1
Page Count: 32
Publisher: Aladdin
Review Posted Online: June 24, 2018
Kirkus Reviews Issue: July 15, 2018
A resplendent masterpiece.
Based on her experience of leaving Mexico for the United States, Morales’ latest offers an immigrant’s tale steeped in hope, dreams, and love.
This story begins with a union between mother and son, with arms outstretched in the midst of a new beginning. Soon after, mother and son step on a bridge, expansive “like the universe,” to cross to the other side, to become immigrants. An ethereal city appears, enfolded in fog. The brown-skinned woman and her child walk through this strange new land, unwilling to speak, unaccustomed to “words unlike those of our ancestors.” But soon their journey takes them to the most marvelous of places: the library. In a series of stunning double-page spreads, Morales fully captures the sheer bliss of discovery as their imaginations take flight. The vibrant, surreal mixed-media artwork, including Mexican fabric, metal sheets, “the comal where I grill my quesadillas,” childhood drawings, and leaves and plants, represents a spectacular culmination of the author’s work thus far. Presented in both English and Spanish editions (the latter in Teresa Mlawer’s translation), equal in evocative language, the text moves with purpose. No word is unnecessary, each a deliberate steppingstone onto the next. Details in the art provide cultural markers specific to the U.S., but the story ultimately belongs to one immigrant mother and her son. Thanks to books and stories (some of her favorites are appended), the pair find their voices as “soñadores of the world.”
A resplendent masterpiece. (author’s note) (Picture book. 4-8)Pub Date: Sept. 4, 2018
ISBN: 978-0-8234-4055-9
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: July 31, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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