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ISLAND CREATURES

Fanciful, hopeful, and heartfelt.

Separated during childhood, two Cuban teen animal rescuers reunite unexpectedly.

Memories of adventures saving animals “in el monte, our green forest / with its aroma of cocoa” in the Guamuhaya Mountains of central Cuba haunt Vida and Adán, who were close before life forced them apart. A decade later, unbeknownst to either, both teens now live in South Florida. With her parents dead and her photojournalist abuela often absent, Vida lives in an empty home. Climate migrant Adán survives in a packed home brimming with violent tension between his father and abuelo. When Adán rescues a gray tree fox, his good deed leads to a chance reunion with Vida. The years apart, however, have brought change. Wary of men following a boarding school incident, Vida nurtures her burgeoning feminist consciousness; béisbol player Adán, who’s learning to be an ally, realizes that masculinity can be “a promise of kindness / that makes us strong / not weak.” Gradually, they rekindle their love while reinforcing their passion for helping endangered animals. But a rift between their families threatens to disrupt them anew. Moving fluidly between Vida’s pensive perspective and Adán’s anguished narration, Engle’s verse narrative boasts rich language steeped in nature’s spiritual beauty and the reciprocal connection between humans and animals. A sweet slow-burner with tight, evocative poems, this tale of adolescent love glows. Drifting into a carefree flight by the last page, Vida and Adán’s story ends as delicately as it began.

Fanciful, hopeful, and heartfelt. (author’s note) (Verse fiction. 12-18)

Pub Date: July 8, 2025

ISBN: 9781665959957

Page Count: 272

Publisher: Atheneum

Review Posted Online: May 3, 2025

Kirkus Reviews Issue: June 1, 2025

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LONG WAY DOWN

This astonishing book will generate much-needed discussion.

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After 15-year-old Will sees his older brother, Shawn, gunned down on the streets, he sets out to do the expected: the rules dictate no crying, no snitching, and revenge.

Though the African-American teen has never held one, Will leaves his apartment with his brother’s gun tucked in his waistband. As he travels down on the elevator, the door opens on certain floors, and Will is confronted with a different figure from his past, each a victim of gun violence, each important in his life. They also force Will to face the questions he has about his plan. As each “ghost” speaks, Will realizes how much of his own story has been unknown to him and how intricately woven they are. Told in free-verse poems, this is a raw, powerful, and emotional depiction of urban violence. The structure of the novel heightens the tension, as each stop of the elevator brings a new challenge until the narrative arrives at its taut, ambiguous ending. There is considerable symbolism, including the 15 bullets in the gun and the way the elevator rules parallel street rules. Reynolds masterfully weaves in textured glimpses of the supporting characters. Throughout, readers get a vivid picture of Will and the people in his life, all trying to cope with the circumstances of their environment while expressing the love, uncertainty, and hope that all humans share.

This astonishing book will generate much-needed discussion. (Verse fiction. 12-adult)

Pub Date: Oct. 17, 2017

ISBN: 978-1-4814-3825-4

Page Count: 320

Publisher: Caitlyn Dlouhy/Atheneum

Review Posted Online: July 1, 2017

Kirkus Reviews Issue: July 15, 2017

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  • Coretta Scott King Book Award Honor

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HOME IS NOT A COUNTRY

Movingly unravels themes of belonging, Islamophobia, and the interlocking oppressions thrust upon immigrant women.

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What happens when both the place you come from and the place you are feel distant and unaccepting?

These are the questions Nima sets out to answer. A 14-year-old, working-class, Muslim, immigrant kid raised by a single mother in suburban America—that’s Nima. They left their unnamed homeland (contextual clues point to Sudan) in pursuit of a better life, one that didn’t seem to find them. But Nima’s mind often wanders back to her roots, to the Arabic songs she listens to on cassette and old photographs of her parents—things she longs to be a part of. At school, Nima is bullied for her accented English, her obvious poverty, and her mother’s hijab. Haitham, the neighbor boy who’s more like a sibling, goes to the same school and is Nima’s only friend. But one day Haitham is beaten up in a hate crime, winding up in the hospital hooked up to machines. The abyss between Nima and her mother begins to grow as Nima learns more about her father’s absence. Elhillo’s novel, which contains light fantastical elements, tells the story of a Muslim girl traversing post–9/11 America with the baggage of a past she does not yet fully understand. The vivid imagery creates a profound sensory experience, evoking intense emotions in a story that will resonate with readers from many backgrounds.

Movingly unravels themes of belonging, Islamophobia, and the interlocking oppressions thrust upon immigrant women. (Verse novel. 12-18)

Pub Date: March 2, 2021

ISBN: 978-0-593-17705-1

Page Count: 224

Publisher: Make Me a World

Review Posted Online: Dec. 9, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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