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ISLAND CREATURES

Fanciful, hopeful, and heartfelt.

Separated during childhood, two Cuban teen animal rescuers reunite unexpectedly.

Memories of adventures saving animals “in el monte, our green forest / with its aroma of cocoa” in the Guamuhaya Mountains of central Cuba haunt Vida and Adán, who were close before life forced them apart. A decade later, unbeknownst to either, both teens now live in South Florida. With her parents dead and her photojournalist abuela often absent, Vida lives in an empty home. Climate migrant Adán survives in a packed home brimming with violent tension between his father and abuelo. When Adán rescues a gray tree fox, his good deed leads to a chance reunion with Vida. The years apart, however, have brought change. Wary of men following a boarding school incident, Vida nurtures her burgeoning feminist consciousness; béisbol player Adán, who’s learning to be an ally, realizes that masculinity can be “a promise of kindness / that makes us strong / not weak.” Gradually, they rekindle their love while reinforcing their passion for helping endangered animals. But a rift between their families threatens to disrupt them anew. Moving fluidly between Vida’s pensive perspective and Adán’s anguished narration, Engle’s verse narrative boasts rich language steeped in nature’s spiritual beauty and the reciprocal connection between humans and animals. A sweet slow-burner with tight, evocative poems, this tale of adolescent love glows. Drifting into a carefree flight by the last page, Vida and Adán’s story ends as delicately as it began.

Fanciful, hopeful, and heartfelt. (author’s note) (Verse fiction. 12-18)

Pub Date: July 8, 2025

ISBN: 9781665959957

Page Count: 272

Publisher: Atheneum

Review Posted Online: May 3, 2025

Kirkus Reviews Issue: June 1, 2025

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CLAP WHEN YOU LAND

A standing ovation.

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Tackles family secrets, toxic masculinity, and socio-economic differences with incisive clarity and candor.

Camino Rios lives in the Dominican Republic and yearns to go to Columbia University in New York City, where her father works most of the year. Yahaira Rios, who lives in Morningside Heights, hasn’t spoken to her dad since the previous summer, when she found out he has another wife in the Dominican Republic. Their lives collide when this man, their dad, dies in an airplane crash with hundreds of other passengers heading to the island. Each protagonist grieves the tragic death of their larger-than-life father and tries to unravel the tangled web of lies he kept secret for almost 20 years. The author pays reverent tribute to the lives lost in a similar crash in 2001. The half sisters are vastly different—Yahaira is dark skinned, a chess champion who has a girlfriend; Camino is lighter skinned, a talented swimmer who helps her curandera aunt deliver neighborhood babies. Despite their differences, they slowly forge a tenuous bond. The book is told in alternating chapters with headings counting how many days have passed since the fateful event. Acevedo balances the two perspectives with ease, contrasting the girls’ environments and upbringings. Camino’s verses read like poetic prose, flowing and straightforward. Yahaira’s sections have more breaks and urgent, staccato beats. Every line is laced with betrayal and longing as the teens struggle with loving someone despite his imperfections.

A standing ovation. (Verse novel. 14-18)

Pub Date: May 5, 2020

ISBN: 978-0-06-288276-9

Page Count: 432

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: March 1, 2020

Kirkus Reviews Issue: March 15, 2020

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THE POET X

Poignant and real, beautiful and intense, this story of a girl struggling to define herself is as powerful as Xiomara’s...

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Poetry helps first-generation Dominican-American teen Xiomara Batista come into her own.

Fifteen-year old Xiomara (“See-oh-MAH-ruh,” as she constantly instructs teachers on the first day of school) is used to standing out: she’s tall with “a little too much body for a young girl.” Street harassed by both boys and grown men and just plain harassed by girls, she copes with her fists. In this novel in verse, Acevedo examines the toxicity of the “strong black woman” trope, highlighting the ways Xiomara’s seeming unbreakability doesn’t allow space for her humanity. The only place Xiomara feels like herself and heard is in her poetry—and later with her love interest, Aman (a Trinidadian immigrant who, refreshingly, is a couple inches shorter than her). At church and at home, she’s stifled by her intensely Catholic mother’s rules and fear of sexuality. Her present-but-absent father and even her brother, Twin (yes, her actual twin), are both emotionally unavailable. Though she finds support in a dedicated teacher, in Aman, and in a poetry club and spoken-word competition, it’s Xiomara herself who finally gathers the resources she needs to solve her problems. The happy ending is not a neat one, making it both realistic and satisfying. Themes as diverse as growing up first-generation American, Latinx culture, sizeism, music, burgeoning sexuality, and the power of the written and spoken word are all explored with nuance.

Poignant and real, beautiful and intense, this story of a girl struggling to define herself is as powerful as Xiomara’s name: “one who is ready for war.” (Verse fiction. 14-18)

Pub Date: March 6, 2018

ISBN: 978-0-06-266280-4

Page Count: 368

Publisher: HarperTeen

Review Posted Online: Dec. 20, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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