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THE LOST BOOK

A fine addition to the meta-literature shelf.

A rabbit stumbles into an unfamiliar world.

Rabbit Town has meadows, blue skies, and clear streams. It also has a bookstore, because “all rabbits loved books…except for Henry.” When Henry finds a Lost Book—it must be lost because it’s “not a rabbit book”—he doesn’t read it; instead he carries it through a tunnel under an ivy-covered wall and emerges into a gray cityscape with gray skyscrapers and a wide, paved, gray street. Bipedal rabbit Henry, in his backpack and hoodie, can’t identify the “creatures” in the lilac-gray city. They’re humans, and they’re enthralled with tech. On escalators, on the subway, even while walking, they stare at screens. Henry makes a friend there—a little white girl whose father is so riveted to his cellphone that he never sees Henry—and together they enjoy some nongray city spots: park, playground, pond, restaurant. Surnaite neatly sidesteps any obvious morals: The city holds warmth and connection after all, and Henry needn’t fall for books. The illustrations’ easygoing outlines and the touchably soft-textured colors that fill the spreads and sequential panels prevent the city atmosphere from ever feeling completely dystopic. A final metaquestion is clever and amusing but unobtrusive to readers who don’t want to tangle with it. Both families have one mom and one dad; the girl’s friend group is multiracial.

A fine addition to the meta-literature shelf. (Picture book. 3-6)

Pub Date: Feb. 5, 2019

ISBN: 978-1-5344-3818-7

Page Count: 32

Publisher: McElderry

Review Posted Online: Nov. 20, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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PEANUT BUTTER & CUPCAKE

Still, preschoolers will likely savor this mouthwatering treatment of a subject that looms large in many early school...

The familiar theme of the challenges facing a new kid in town is given an original treatment by photographer Border in this book of photos of three-dimensional objects in a simple modeled landscape.

Peanut Butter is represented by a slice of white bread spread with the popular condiment. The other characters in the story—a hamburger with a pair of hot dogs in tow, a bowl of alphabet soup, a meatball jumping a rope of spaghetti, a carton of French fries and a pink cupcake—are represented by skillfully crafted models of these foods, anthropomorphized using simple wire construction. Rejected by each character in turn in his search for playmates, Peanut Butter discovers in the end that Jelly is his true match (not Cupcake, as the title suggests), perhaps because she is the only one who looks like him, being a slice of white bread spread with jelly. The friendly foods end up happily playing soccer together. Some parents may have trouble with the unabashedly happy depiction of carbs and American junk food (no carrots or celery sticks in this landscape), and others may find themselves troubled by the implication that friendship across difference is impossible.

Still, preschoolers will likely savor this mouthwatering treatment of a subject that looms large in many early school experiences. (Picture book. 3-6)

Pub Date: July 29, 2014

ISBN: 978-0-399-16773-7

Page Count: 32

Publisher: Philomel

Review Posted Online: May 13, 2014

Kirkus Reviews Issue: June 1, 2014

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