Precious as the language sounds to modern ears (the term “nursery magic” alone will likely set the eyes of even preliterate listeners to rolling), Williams’ 1922 classic remains a read-aloud standard thanks to the way big themes of life, death and change weave through its seemingly small and largely familiar domestic events. In this sumptuous unabridged edition, Spirin plays to his strengths. Visual grace notes enclose every block of text within open borders composed of finely drawn, Art Nouveau–style curlicues and tiny, naturalistic floral arrangements. These give way to full-page or full-spread close-up views of a flaxen-haired lad with a distant gaze, a treasure house of upscale antique toys rendered in painstaking detail, a winged Fairy dripping flowers and posed in languid, Botticelli curves and a homely, increasingly grubby bunny that is transformed in the final scenes to a live rabbit bursting with lithe, long-limbed vitality. Rendered in semitransparent watercolor and colored pencil, the art has an ethereal look that misses out on the warm intimacy Michael Hague brought to his interpretation (1983; reprinted in 2008), but for technical accomplishment and stateliness overmatches Monique Felix’s similarly formal pictures (1994) or the plethora of less-memorable versions. (Picture book. 6-9)
Pub Date: Feb. 1, 2011
ISBN: 978-0-7614-5848-7
Page Count: 48
Publisher: Marshall Cavendish
Review Posted Online: Jan. 8, 2011
Kirkus Reviews Issue: Jan. 15, 2011
BOOK REVIEW
BOOK REVIEW
Charming.
An assortment of unusual characters form friendships and help each other become their best selves.
Mr. and Mrs. Tupper, who live at Number 3 Ramshorn Drive, are antiquarians. Their daughter, Jillian, loves and cares for a plant named Ivy, who has “three speckles on each leaf and three letters in her name.” Toasty, the grumpy goldfish, lives in an octagonal tank and wishes he were Jillian’s favorite; when Arthur the spider arrives inside an antique desk, he brings wisdom and insight. Ollie the violet plant, Louise the bee, and Sunny the canary each arrive with their own quirks and problems to solve. Each character has a distinct personality and perspective; sometimes they clash, but more often they learn to empathize, see each other’s points of view, and work to help one another. They also help the Tupper family with bills and a burglar. The Fan brothers’ soft-edged, old-fashioned, black-and-white illustrations depict Toasty and Arthur with tiny hats; Ivy and Ollie have facial expressions on their plant pots. The Tuppers have paper-white skin and dark hair. The story comes together like a recipe: Simple ingredients combine, transform, and rise into something wonderful. In its matter-of-fact wisdom, rich vocabulary (often defined within the text), hint of magic, and empathetic nonhuman characters who solve problems in creative ways, this delightful work is reminiscent of Ferris by Kate DiCamillo, Our Friend Hedgehog by Lauren Castillo, and Ivy Lost and Found by Cynthia Lord and Stephanie Graegin.
Charming. (Fiction. 6-9)Pub Date: May 27, 2025
ISBN: 9781665942485
Page Count: 272
Publisher: Simon & Schuster
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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