by Margery Williams & illustrated by Rimma Zainagova & developed by XIMAD ‧ RELEASE DATE: April 18, 2011
With some quick fixes, this one could become closer to Real and worthy of a young reader's love. (iPad storybook app. 5-8)
This serviceable iPad version of the classic stumbles, primarily over some fixable mistakes.
XiMAD Inc.'s version of the story, one of two takes on it currently available for the iPad, attempts to be as visually lush and inviting as Williams' tear-jerking text. By that measure, it mostly succeeds. For 31 pages (including the title screen) it's a lovely app, soft but precise, with the kinds of spring-loaded on-screen objects, tilt features and smartly integrated text that Alice for the iPad (2010) set the bar for shortly after the device debuted. But the elegance is lost whenever jarring, ugly pop-up ads appear in the free version of the app, covering the controls and interrupting the story. The ads aren't for other children's books or even toys (velveteen or otherwise); they're primarily for PC utilities unlikely to appeal to this tale's audience. Less forgiveable is a glaring problem late in the story: One paragraph of text is repeated from a prior page, and another paragraph is completely missing, pulling the stuffing out of an important story point. Other than those two major problems and, of lesser importance, a lack of options beyond turning the background music off, this adaptation works. At least it works much better than the Ruckus Mobile Media version in the App Store, a dated, unsatisfying rendition that this one easily bests.
With some quick fixes, this one could become closer to Real and worthy of a young reader's love. (iPad storybook app. 5-8)Pub Date: April 18, 2011
ISBN: N/A
Page Count: -
Publisher: XIMAD
Review Posted Online: May 17, 2011
Kirkus Reviews Issue: June 15, 2011
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by Amy Krouse Rosenthal ; illustrated by Tom Lichtenheld ‧ RELEASE DATE: April 1, 2015
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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by JaNay Brown-Wood ; illustrated by Hazel Mitchell ‧ RELEASE DATE: Oct. 14, 2014
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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