A quietly unconventional coming-of-age tale with engaging characters embedded in an absorbing story.
A Scottish farm girl finds love and heads for the big city.
Lizzie Craig has learned not to speak of the “pictures” that sometimes give her glimpses of the future. Her grandparents have enough to deal with struggling to make ends meet at Belhaven Farm in eastern Scotland, and they are the only family she knows; her parents were both dead by the time she was a year old, in 1874. When her sister becomes engaged to a young man willing to work on the farm, Lizzie feels free to think about moving to Glasgow; her oldest friend, Hugh, who left Belhaven to work in a sewing machine factory, has been urging her to change her life for years, but the real reason is Hugh’s friend Louis Hunter, a tailor’s apprentice she falls in love with. Livesey writes evocatively about Lizzie’s mingled panic and excitement upon encountering Glasgow’s urban possibilities, and tenderly about her first experiences of sexual desire. It’s a nice touch, belying stereotypes about late-Victorian society, that no one other than her grandfather is especially shocked when Lizzie becomes pregnant. But Louis has years left in his apprenticeship and feels they can’t yet marry; the novel’s second half follows Lizzie as she struggles to care for infant Barbara back home on the farm while holding Louis’ possibly wandering affections in Glasgow. There’s nothing really new in this tale of a young woman slowly coming to terms with the conflicts between her responsibilities to those around her and to herself, but Livesey’s admirers will recognize the gentle compassion with which she limns all her characters, even those like Louis who don’t necessarily behave well. Lizzie’s second sight prompts a plot development that brings her odyssey to an interim conclusion, with some painful losses but also important satisfactions and new possibilities ahead.
A quietly unconventional coming-of-age tale with engaging characters embedded in an absorbing story.Pub Date: Feb. 6, 2024
ISBN: 9780593537046
Page Count: 272
Publisher: Knopf
Review Posted Online: Oct. 7, 2023
Kirkus Reviews Issue: Nov. 1, 2023
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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