A cleareyed look at an iconic beauty pageant and its efforts to stave off irrelevance.
The Miss America program heads toward its second century still trying to shed its image as a “leg show” or “cheesecake with a side of culture.”
Journalist Mifflin offers a lively and probing appraisal of a pageant that will observe its centennial in 2021. Drawing on research that includes interviews with former Miss Americas from different eras, this well-balanced account shows that while the program has helped many contestants envision futures beyond their hometowns, it has always had unsavory aspects at odds with its organizers’ efforts to invest it with a wholesome image. The most egregious of these, formally adopted in 1940 and in effect until the 1950s, required contestants to be “in good health and of the white race.” Fresh troubles hit in later decades as feminists’ protests and expanding women’s rights made the program look out of touch. Organizers tried to adapt by killing the swimsuit competition (2018) and having each contestant choose a “social issues platform” to promote (1990). Still, the TV ratings tanked, the number of entrants plunged, and the pageant CEO was forced out after emails surfaced showing that he had “slut-shamed” contestants. Perhaps the most disturbing fact in this book is that since 2007, entrants have had to engage in what Kate Shindle, Miss America 1998, calls “pay to play.” Each contestant “must raise a minimum amount—by soliciting donations—to compete,” and while some of the proceeds go to children’s hospitals, much of it goes to pageant scholarships, so that “contestants themselves have funded 85 percent of Miss America’s scholarships.” Mifflin relates all of this without descending into ridicule or screed and with a keen sympathy for both the costs and benefits to entrants. Whether fans or foes of Miss America, few readers will see the pageant in the same way after finishing this book.
A cleareyed look at an iconic beauty pageant and its efforts to stave off irrelevance. (16-page color insert)Pub Date: Aug. 4, 2020
ISBN: 978-1-64009-223-5
Page Count: 320
Publisher: Counterpoint
Review Posted Online: April 19, 2020
Kirkus Reviews Issue: May 15, 2020
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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