by Mari Ahokoivu ; translated by Silja-Maaria Aronpuro ; illustrated by Mari Ahokoivu ‧ RELEASE DATE: Oct. 26, 2021
Dark, complex, and gratifying.
This graphic adaptation of a story from Finnish folklore introduces Umi, a mother bear who is living in the woods with her brood: three male cubs and a girl they call Poorling.
Poorling is a magical creature with a small body and an oversized flame-shaped head who desperately wants to be a bear. She is quite curious and shamelessly eager to please her mother. Umi has defied her mother, Emuu, a celestial being who wants Umi to return home to the heavens. Emuu, in turn, enlists an enchanted waterbird named Scaup to work with Poorling in hopes of bringing Umi back. When Poorling commits a shocking act of violence, events are set in motion that perpetuate a cycle of brutal savagery. Ahokoivu brings the tale to life through digital art and a mix of ink and dreamy watercolors. The primarily black-and-white palette is punctuated with bursts of dazzling color. Populated by animals and magical creatures, the storyline meanders whimsically but then quickly shocks with its sudden eruptions of violence, a stark reminder of the harshness of the natural world and the powerful universality of wanting to belong. With its ethereal fairy-tale quality, this quietly challenging story of parents and children translated from the original Finnish is visually powerful and emotionally compelling.
Dark, complex, and gratifying. (note on names) (Graphic fiction. 12-18)Pub Date: Oct. 26, 2021
ISBN: 978-1-64614-113-5
Page Count: 400
Publisher: Levine Querido
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
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by Kalle Hakkola & Mari Ahokoivu ; illustrated by Kalle Hakkola & Mari Ahokoivu ; translated by Owen F. Witesman
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PERSPECTIVES
by Kerilynn Wilson ; illustrated by Kerilynn Wilson ‧ RELEASE DATE: June 13, 2023
A fast-paced dip into the possibility of a world without human emotions.
A teenage girl refuses a medical procedure to remove her heart and her emotions.
June lives in a future in which a reclusive Scientist has pioneered a procedure to remove hearts, thus eliminating all “sadness, anxiety, and anger.” The downside is that it numbs pleasurable feelings, too. Most people around June have had the procedure done; for young people, in part because doing so helps them become more focused and successful. Before long, June is the only one among her peers who still has her heart. When her parents decide it’s time for her to have the procedure so she can become more focused in school, June hatches a plan to pretend to go through with it. She also investigates a way to restore her beloved sister’s heart, joining forces with Max, a classmate who’s also researching the Scientist because he has started to feel again despite having had his heart removed. The pair’s journey is somewhat rushed and improbable, as is the resolution they achieve. However, the story’s message feels relevant and relatable to teens, and the artwork effectively sets the scene, with bursts of color popping throughout an otherwise black-and-white landscape, reflecting the monochromatic, heartless reality of June’s world. There are no ethnic or cultural markers in the text; June has paper-white skin and dark hair, and Max has dark skin and curly black hair.
A fast-paced dip into the possibility of a world without human emotions. (Graphic speculative fiction. 12-18)Pub Date: June 13, 2023
ISBN: 9780063116214
Page Count: 304
Publisher: Greenwillow Books
Review Posted Online: April 24, 2023
Kirkus Reviews Issue: May 15, 2023
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by Kerilynn Wilson ; illustrated by Kerilynn Wilson
BOOK REVIEW
by Kerilynn Wilson ; illustrated by Kerilynn Wilson
by William Shakespeare & developed by The New Book Press LLC ‧ RELEASE DATE: Sept. 9, 2013
Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced...
A pairing of the text of the Scottish Play with a filmed performance, designed with the Shakespeare novice in mind.
The left side of the screen of this enhanced e-book contains a full version of Macbeth, while the right side includes a performance of the dialogue shown (approximately 20 lines’ worth per page). This granular focus allows newcomers to experience the nuances of the play, which is rich in irony, hidden intentions and sudden shifts in emotional temperature. The set and costuming are deliberately simple: The background is white, and Macbeth’s “armor” is a leather jacket. But nobody’s dumbing down their performances. Francesca Faridany is particularly good as a tightly coiled Lady Macbeth; Raphael Nash-Thompson gives his roles as the drunken porter and a witch a garrulousness that carries an entertainingly sinister edge. The presentation is not without its hiccups. Matching the video on the right with the text on the left means routinely cutting off dramatic moments; at one point, users have to swipe to see and read the second half of a scene’s closing couplet—presumably an easy fix. A “tap to translate” button on each page puts the text into plain English, but the pop-up text covers up Shakespeare’s original, denying any attempts at comparison; moreover, the translation mainly redefines more obscure words, suggesting that smaller pop-ups for individual terms might be more meaningful.
Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced e-book makes the play appealing and graspable to students . (Enhanced e-book. 12 & up)Pub Date: Sept. 9, 2013
ISBN: N/A
Page Count: -
Publisher: The New Book Press LLC
Review Posted Online: Nov. 6, 2013
Kirkus Reviews Issue: Dec. 1, 2013
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by William Shakespeare ; adapted by Crystal S. Chan & Michael Barltrop ; illustrated by Julien Choy
BOOK REVIEW
by William Shakespeare ; adapted by Crystal Chan ; illustrated by Julien Choy
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by William Shakespeare ; adapted by Georghia Ellinas ; illustrated by Jane Ray
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