A breathtaking collection of poems inspired by timeless artwork.
An ecstatic collection of ekphrastic poems.
Marin writes from a place of visual art appreciation. Considering classic paintings, like Leonardo da Vinci’s Mona Lisa, alongside more obscure works, the poet explores human emotion, relationships, culture, and nature. Sometimes, the poet adopts the perspectives of the paintings’ subjects; in other pieces, she finds parallels between the artwork and her modern life. Marin uses Neena Sethia’s Contradictions of Being (2021) as a catalyst for a letter to her own son on his 12th birthday, advising, “Be the white dove with the plucked leaf / in your mouth, help others grow wings / on their heads to fly free.” Contemplating Gustav Klimt’s The Kiss (1907/08), the speaker implores, “Lock me in your manly embrace, / then throw the key into the abyss below / my feet.” Reflecting on the Covid-19 pandemic, the poet relates to the desperate man in Edvard Munch’s The Scream (1893): “I’m vanishing, blending into my home walls, living a life of / non-living, each day a clone of the others.” The poet intuits that the crying woman in Lilly Martin Spencer’s Peeling Onions (1852) is in fact mourning the limitations of her gender role: “No days off, no / salary, no raise. She is not allowed mistakes.” Marin elegantly paints her own pictures with her sensory-rich descriptions, like the “pale blue of a cloudless sky // that kisses the sloppy ground of perfect green, red grass” or her humming fan’s “August soundtrack.” The poet experiments creatively with form: Marin uses blackout text to symbolize the erasure of history in a poem on the Bergen-Belsen Concentration Camp, and a piece on Francesco Hayez’s Vengeance Is Sworn (1851) reads like a theatrical scene. Marin mines a wide variety of artwork styles and eras, represented in works ranging from Vincent van Gogh’s The Bedroom (1889) to Kadir Nelson’s Heat Wave (2019). Most of the poems include images of the corresponding artwork; it would have been helpful if every poem had been paired with the piece that inspired it.
A breathtaking collection of poems inspired by timeless artwork.Pub Date: April 30, 2024
ISBN: 9781962082242
Page Count: 104
Publisher: Shanti Arts LLC
Review Posted Online: Aug. 31, 2024
Kirkus Reviews Issue: Oct. 15, 2024
Review Program: Kirkus Indie
BOOK REVIEW
A pleasure for fans of old-school historical narratives.
Avuncular observations on matters historical from the late popularizer of the past.
McCullough made a fine career of storytelling his way through past events and the great men (and occasional woman) of long-ago American history. In that regard, to say nothing of his eschewing modern technology in favor of the typewriter (“I love the way the bell rings every time I swing the carriage lever”), he might be thought of as belonging to a past age himself. In this set of occasional pieces, including various speeches and genial essays on what to read and how to write, he strikes a strong tone as an old-fashioned moralist: “Indifference to history isn’t just ignorant, it’s rude,” he thunders. “It’s a form of ingratitude.” There are some charming reminiscences in here. One concerns cajoling his way into a meeting with Arthur Schlesinger in order to pitch a speech to presidential candidate John F. Kennedy: Where Richard Nixon “has no character and no convictions,” he opined, Kennedy “is appealing to our best instincts.” McCullough allows that it wasn’t the strongest of ideas, but Schlesinger told him to write up a speech anyway, and when it got to Kennedy, “he gave a speech in which there was one paragraph that had once sentence written by me.” Some of McCullough’s appreciations here are of writers who are not much read these days, such as Herman Wouk and Paul Horgan; a long piece concerns a president who’s been largely lost in the shuffle too, Harry Truman, whose decision to drop the atomic bomb on Japan McCullough defends. At his best here, McCullough uses history as a way to orient thinking about the present, and with luck to good ends: “I am a short-range pessimist and a long-range optimist. I sincerely believe that we may be on the way to a very different and far better time.”
A pleasure for fans of old-school historical narratives.Pub Date: Sept. 16, 2025
ISBN: 9781668098998
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: June 26, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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