A less messy and far sturdier alternative to paper dolls.
Younger fashion mavens can mix and match attire on a cast of children using strips of finely worked patterns.
The trick is to stack stiff, die-cut pictures of eight button-eyed children—a racially diverse group including figures with different shades of brown skin and one, named Emily, with East Asian features—on one side and three rectangular pads of paper “fabric” on the other. Each pad is composed of a unique set of eight patterns, ranging from thin stripes and fabric textures to tiny hearts or dinosaurs. These can be flipped over to show through the die cuts as a selected child’s hat, coat, shirt, shoes, scarf, or accessory. The children are hinged at the top of the page and the “fabric” on the left, so that a fair number of variations can be achieved. Lift Isabella, Aidan, Anika, and Riley up to reveal Emily, and then flop a kitten-patterned strip, a rainbow-and-unicorn–patterned strip, and a red strip with white polka dots underneath her so that she appears to be wearing a hat with the kitten pattern and a scarf with unicorns and rainbows while towing a red sled with white polka dots. The patterns are all different, but they harmonize so well in color and motif that it may well be impossible to create any ensembles that clash.
A less messy and far sturdier alternative to paper dolls. (Novelty board book. 3-6)Pub Date: April 17, 2018
ISBN: 978-1-4521-6039-9
Page Count: 16
Publisher: Chronicle Books
Review Posted Online: March 17, 2018
Kirkus Reviews Issue: Dec. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
The action of this rhymed and humorous tale centers upon a mouse who "took a stroll/through the deep dark wood./A fox saw the mouse/and the mouse looked good." The mouse escapes being eaten by telling the fox that he is on his way to meet his friend the gruffalo (a monster of his imagination), whose favorite food is roasted fox. The fox beats a hasty retreat. Similar escapes are in store for an owl and a snake; both hightail it when they learn the particulars: tusks, claws, terrible jaws, eyes orange, tongue black, purple prickles on its back. When the gruffalo suddenly materializes out of the mouse's head and into the forest, the mouse has to think quick, declaring himself inedible as the "scariest creature in the deep dark wood," and inviting the gruffalo to follow him to witness the effect he has on the other creatures. When the gruffalo hears that the mouse's favorite food is gruffalo crumble, he runs away. It's a fairly innocuous tale, with twists that aren't sharp enough and treachery that has no punch. Scheffler's funny scenes prevent the suspense from culminating; all his creatures, predator and prey, are downright lovable. (Picture book. 3-6)
Pub Date: June 1, 1999
ISBN: 0-8037-2386-5
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1999
SEEN & HEARD
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