by Maria Carluccio & illustrated by Maria Carluccio ‧ RELEASE DATE: Aug. 17, 2010
Light, pretty pictures with subtly plentiful patterns provide visual interest unmatched by lackluster text and vague point of view. In the harmless but familiar theme, satisfaction in daily achievements receives voice from a little girl in the first and second spreads, then her brother, then classmates at school and finally the original girl and brother at home again. This slippery narrative perspective doesn’t quite mesh with the first-person statements, and the feats themselves, while meaningful in real life, are described too plainly to excite on the page: “I can sleep in my bed,” “I can try different foods,” “I can sing a song,” “I can put away my toys.” Carluccio’s digital collage illustrations, on the other hand, provide plenty to engage, mixing and matching fabric textures with paint and scratch patterns, all soft enough that they never clash. The mundane sentences and audience-limiting age specification won’t work for group storytime; save this for close-up readings by kids who enjoy gently complex aesthetics. (Picture book. 2-4)
Pub Date: Aug. 17, 2010
ISBN: 978-0-8050-8313-2
Page Count: 24
Publisher: Henry Holt
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 1, 2010
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by Christopher Silas Neal ; illustrated by Christopher Silas Neal ‧ RELEASE DATE: March 27, 2018
Innovative and thoroughly enjoyable.
You think you know shapes? Animals? Blend them together, and you might see them both a little differently!
What a mischievous twist on a concept book! With wordplay and a few groan-inducing puns, Neal creates connections among animals and shapes that are both unexpected and so seemingly obvious that readers might wonder why they didn’t see them all along. Of course, a “lazy turtle” meeting an oval would create the side-splitting combo of a “SLOW-VAL.” A dramatic page turn transforms a deeply saturated, clean-lined green oval by superimposing a head and turtle shell atop, with watery blue ripples completing the illusion. Minimal backgrounds and sketchy, impressionistic detailing keep the focus right on the zany animals. Beginning with simple shapes, the geometric forms become more complicated as the book advances, taking readers from a “soaring bird” that meets a triangle to become a “FLY-ANGLE” to a “sleepy lion” nonagon “YAWN-AGON.” Its companion text, Animal Colors, delves into color theory, this time creating entirely hybrid animals, such as the “GREEN WHION” with maned head and whale’s tail made from a “blue whale and a yellow lion.” It’s a compelling way to visualize color mixing, and like Animal Shapes, it’s got verve. Who doesn’t want to shout out that a yellow kangaroo/green moose blend is a “CHARTREUSE KANGAMOOSE”?
Innovative and thoroughly enjoyable. (Board book. 2-4)Pub Date: March 27, 2018
ISBN: 978-1-4998-0534-5
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: May 13, 2018
Kirkus Reviews Issue: July 1, 2018
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by Kate Messner ; illustrated by Christopher Silas Neal
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by Christopher Silas Neal ; illustrated by Christopher Silas Neal
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by David LaRochelle ; illustrated by Jaime Kim ‧ RELEASE DATE: Dec. 11, 2018
Treacle drips from every page. Find self-esteem elsewhere.
The voice of an omniscient narrator, who may or may not be a caregiver, speaks directly to an unhappy child with an invitation to a very special place.
The child follows directions to the beautiful title isle “just across the bay.” Ferried across by a toy elephant in a sailboat, the child is given an enthusiastic welcome by more adorable animals and some other children. The little one swims in a waterfall, rides a giant eagle, relaxes in a hammock, and happily engages with some of the other children. Several of the activities are stereotypically girl-associated, and the other children appear to be girls with varying skin tones and hair textures; the little protagonist has light skin and a brown pageboy and is only suggested as female. After elaborate entertainments and a sweet feast, the child is assured that “someone loves you very, very, very much” before being borne safely home. Deep purple, bright pastel pink, and yellow watercolors dominate the color palette, creating a magical, otherworldly atmosphere. But it is also somewhat creepy as well. The Isle of You exists only for the protagonist’s happiness, even the other children there, who appear to have no existence in the real world. Apparently intended to build self-esteem and comfort, it seems to encourage self-centeredness instead, as does the ending play on the pronunciation of the title words.
Treacle drips from every page. Find self-esteem elsewhere. (Picture book. 2-4)Pub Date: Dec. 11, 2018
ISBN: 978-0-7636-9116-5
Page Count: 32
Publisher: Candlewick
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 1, 2018
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by David LaRochelle ; illustrated by Mike Wohnoutka
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by David LaRochelle ; illustrated by Mike Wohnoutka
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