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AS MEAT LOVES SALT

A genre-transcending, irreplaceable work: historical fiction at its very best.

It’s hard to believe that this accomplished and potent historical tale is a first novel—a sentiment repeatedly echoed by the rapturous reviews that greeted its initial publication in England in 2001.

British author McCann has set it during the period of the mid–17th-century English Civil War, and incarnated the righteous as well as barbaric energies of that time in her protagonist Jacob Cullen: a brawny, brooding outcast whose forbidden love ennobles, engulfs, and all but destroys him. Jacob’s critical flaw is his uncontrollable temper, which we first glimpse when he and his brothers (charismatic, handsome Zebedee and gentle, forbearing Isaiah), ruined by their landowning family’s financial collapse, labor as manservants at Beaurepair, a wealthy nobleman’s estate. The specter of an unsolved murder hangs over Beaurepair, and when the brothers’ furtive reading of “seditious” literature is reported, the three flee Beaurepair, and Jacob—married in haste, bereft of his young wife—is swept into an alternately perilous and fulfilling adventure. He is “rescued” by soldiers in rebel Oliver Cromwell’s New Model Army, takes part in (unsparingly detailed) sieges against the Army’s declared (mostly Catholic) enemies, and discovers his true nature when he falls in love with Christopher Ferris, a softspoken widower who at first reluctantly, at last wholeheartedly, yields to Jacob’s sexual importunings. The necessarily secret affair that binds, then divides the two men (as Jacob’s lack of self-control continuously flares up) imparts tremendous drama to lengthy sequences depicting their intimacy during the war, a long stay in London with Ferris’s doting aunt, and the experiment in communal farming that excites Ferris’s (unpopular and dangerous) democratic ideals and rouses all of Jacob’s festering suspicions and resentments. The inevitable climax, which carries a genuinely tragic charge, is superior even to the densely packed, brilliant pages that precede it.

A genre-transcending, irreplaceable work: historical fiction at its very best.

Pub Date: Jan. 1, 2003

ISBN: 0-15-601226-X

Page Count: 544

Publisher: Harvest/Houghton Mifflin Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2002

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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LOVE AND OTHER WORDS

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.

Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Pub Date: April 10, 2018

ISBN: 978-1-5011-2801-1

Page Count: 416

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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