by Maria Nilsson Thore ; illustrated by Maria Nilsson Thore ‧ RELEASE DATE: March 1, 2017
Sometimes the best part of travel is telling the tale afterward.
In an interesting take on “The City Mouse and the Country Mouse,” Swede Thore tells the tale of one scribbly spot that vacates its host, a spotted and sedentary feline, for an adventure.
When Sammy wakes up with flu symptoms, she realizes that something is askew. One of her 500 spots is missing. She feels miserable, the kind of misery that can only be rectified by a cup of hot cocoa. Thore’s text in the uncredited translation is wryly funny, deftly unreeling the plot and defining its characters. Sammy chases it, but “that rebel spot was way too fast,” but then she realizes, “if that spot’s unhappy, why pursue it?” Each double-page spread bursts with details that will captivate young readers. Sammy’s knotted tail reflects how lifeless she feels while suffering from the flu. The tub’s claw feet look just like Sammy’s. Is that the missing spot hiding behind the toilet’s pedestal? Hearts appear on the curtains on the closing pages, as the two protagonists reunite. A midbook gatefold opens from a view of Sammy contentedly at home to show the adventures of the spot in 12 humorous panels—the spot finds itself on a dog, in a scoop of ice cream, winning a game of marbles, and even nestled up next to an éclair. Both spot and Sammy learn new things about themselves while the spot is AWOL and find out that, in the end, there really is no place like home.
Sometimes the best part of travel is telling the tale afterward. (Picture book. 3-7)Pub Date: March 1, 2017
ISBN: 978-0-8234-3677-4
Page Count: 32
Publisher: Holiday House
Review Posted Online: Dec. 20, 2016
Kirkus Reviews Issue: Jan. 15, 2017
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BOOK REVIEW
by Maria Nilsson Thore ; illustrated by Maria Nilsson Thore ; translated by A.A. Prime
by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: June 24, 2025
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
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New York Times Bestseller
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Aaron Reynolds ; illustrated by Peter Brown
BOOK REVIEW
by Aaron Reynolds ; illustrated by Peter Brown
BOOK REVIEW
by Peter Brown ; illustrated by Peter Brown
by Mo Willems ; illustrated by Mo Willems ‧ RELEASE DATE: March 31, 2026
Familiarity breeds a birthday for the ages in this party worth attending.
Don’t let the Pigeon ruin his own special day!
Anyone who has ever encountered the title character in any of his books—whether his first, Don’t Let the Pigeon Drive the Bus (2003), or one of its many sequels—will understand that the bird’s innate self-love drives his every interaction. Little wonder, then, that he’s thrilled about his own “bird-day.” He has the hat. He has his “FANCY PLUMAGE.” And, best of all, he will get to blow out a candle “on my bird-day hot dog!” As he revels in the knowledge that this day is all for him, comeuppance is lurking. Someone has already blown out the bird-day candle—and eaten half the hot dog. It turns out that the Pigeon’s frenemy, the Duckling, has the same bird-day—as do a slew of newly hatched chicks. The Pigeon’s obligatory eight-panel freakout ensues. “What am I—invisible? I just want to be seen,” he whimpers, and when he receives some much-needed reassurance, he settles down and willingly shares his special day. While the switch from unapologetic narcissism to mature acceptance happens in the record-breaking span of two pages, the book is as enchanting as the Pigeon’s earlier outings. Even as it walks in the footsteps of its predecessors, there’s no denying the fun to be had.
Familiarity breeds a birthday for the ages in this party worth attending. (Picture book. 3-6)Pub Date: March 31, 2026
ISBN: 9781454999621
Page Count: 40
Publisher: Union Square Kids
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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More by Kate Micucci
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by Mo Willems & Kate Micucci ; illustrated by Mo Willems & Kate Micucci
BOOK REVIEW
by Mo Willems ; illustrated by Mo Willems
BOOK REVIEW
by Mo Willems ; illustrated by Mo Willems
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