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BRETT McCARTHY

WORK IN PROGRESS

Bigmouth Brett has two great loves: vocabulary words and soccer. When she’s not getting her adrenaline fix on the soccer field, she hangs out with her best friend Diane and enjoys a close relationship with her eccentric but loving grandmother, Nonna. A phone prank Brett and Diane play sets off a series of events that turn Brett’s life from average, even happy, to disastrous. Because of the prank, Brett loses all hope of attracting hottie Bob Levesque. She and Diane fight and suddenly Diane is best friends with the snotty, obnoxious Jeanne-Anne. Brett seems to have nowhere to channel her energy and that feistiness, combined with frustration at her friends and family, gets her suspended from school. A caring, innovative teacher comes to Brett’s rescue, but in order for Brett to regain her place at school she’ll have to stand up for the “brainiac” kids . . . and for herself. Through all her trouble she has the support of Nonna and her friend Michael, who are both funny, interesting characters that readers will appreciate. Brett herself is observant but not always endearing. The pacing is smooth and the actions build to a sad, if realistic, ending. (Fiction. 11-14)

Pub Date: March 11, 2008

ISBN: 978-0-375-84675-5

Page Count: 288

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2008

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ONCE A QUEEN

Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development.

A portal fantasy survivor story from an established devotional writer.

Fourteen-year-old Eva’s maternal grandmother lives on a grand estate in England; Eva and her academic parents live in New Haven, Connecticut. When she and Mum finally visit Carrick Hall, Eva is alternately resentful at what she’s missed and overjoyed to connect with sometimes aloof Grandmother. Alongside questions of Eva’s family history, the summer is permeated by a greater mystery surrounding the work of fictional children’s fantasy writer A.H.W. Clifton, who wrote a Narnialike series that Eva adores. As it happens, Grandmother was one of several children who entered and ruled Ternival, the world of Clifton’s books; the others perished in 1952, and Grandmother hasn’t recovered. The Narnia influences are strong—Eva’s grandmother is the Susan figure who’s repudiated both magic and God—and the ensuing trauma has created rifts that echo through her relationships with her daughter and granddaughter. An early narrative implication that Eva will visit Ternival to set things right barely materializes in this series opener; meanwhile, the religious parable overwhelms the magic elements as the story winds on. The serviceable plot is weakened by shallow characterization. Little backstory appears other than that which immediately concerns the plot, and Eva tends to respond emotionally as the story requires—resentful when her seething silence is required, immediately trusting toward characters readers need to trust. Major characters are cued white.

Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development. (author’s note, map, author Q&A) (Religious fantasy. 12-14)

Pub Date: Jan. 30, 2024

ISBN: 9780593194454

Page Count: 384

Publisher: WaterBrook

Review Posted Online: Oct. 21, 2023

Kirkus Reviews Issue: Nov. 15, 2023

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MONSTER

The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes...

In a riveting novel from Myers (At Her Majesty’s Request, 1999, etc.), a teenager who dreams of being a filmmaker writes the story of his trial for felony murder in the form of a movie script, with journal entries after each day’s action.

Steve is accused of being an accomplice in the robbery and murder of a drug store owner. As he goes through his trial, returning each night to a prison where most nights he can hear other inmates being beaten and raped, he reviews the events leading to this point in his life. Although Steve is eventually acquitted, Myers leaves it up to readers to decide for themselves on his protagonist’s guilt or innocence.

The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes written entirely in dialogue alternate with thoughtful, introspective journal entries that offer a sense of Steve’s terror and confusion, and that deftly demonstrate Myers’s point: the road from innocence to trouble is comprised of small, almost invisible steps, each involving an experience in which a “positive moral decision” was not made. (Fiction. 12-14)

Pub Date: May 31, 1999

ISBN: 0-06-028077-8

Page Count: 280

Publisher: HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 1, 1999

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