Fasten your seat belts and sit back and relax; this clever book should fly off the shelves.
Get ready for takeoff and some counting fun.
This charming companion to Backseat A-B-See (2012) uses a counting concept to describe the phases of preparation for an airplane trip. A family of three with a boy wearing a yellow cap provides a narrative throughline for readers. “When taking a flight, what do you see? / 1 Airport / 2 Luggage carts / 3 Check-in desks” and so on, including escalators, trash cans and security officers. Following 10 gates are 100 fastened seat belts, 2,000 miles (3,200 kilometers), 33,000 feet (10,000 meters), a “million places to explore”—and “[o]ne happy meeting.” The digital illustrations depict the scenes with graphic shapes, universal signs and simplified white silhouettes similar to those seen on restroom signs for people; only the protagonist family and some key figures such as airline personnel are given any individuality at all. Humorous, graphically clever details abound. The trash cans are seen in cross section, filled with illegal items such as water bottles, scissors and baseball bats. Eight men and nine women line up across the spread from left to right waiting to get into their respective restrooms; the boy stands with his legs crossed. Informative as well as reassuring, this is ideal for prepping kids for their first flight (and maybe adults as well).
Fasten your seat belts and sit back and relax; this clever book should fly off the shelves. (Informational picture book. 3-6)Pub Date: April 1, 2013
ISBN: 978-1-4521-1662-4
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 26, 2013
Kirkus Reviews Issue: March 15, 2013
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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SEEN & HEARD
While there are many rhyming truck books out there, this stands out for being a collection of poems.
Rhyming poems introduce children to anthropomorphized trucks of all sorts, as well as the jobs that they do.
Adorable multiethnic children are the drivers of these 16 trucks—from construction equipment to city trucks, rescue vehicles and a semi—easily standing in for readers, a point made very clear on the final spread. Varying rhyme schemes and poem lengths help keep readers’ attention. For the most part, the rhymes and rhythms work, as in this, from “Cement Mixer”: “No time to wait; / he can’t sit still. / He has to beg your pardon. / For if he dawdles on the way, / his slushy load will harden.” Slonim’s trucks each sport an expressive pair of eyes, but the anthropomorphism stops there, at least in the pictures—Vestergaard sometimes takes it too far, as in “Bulldozer”: “He’s not a bully, either, / although he’s big and tough. / He waits his turn, plays well with friends, / and pushes just enough.” A few trucks’ jobs get short shrift, to mixed effect: “Skid-Steer Loader” focuses on how this truck moves without the typical steering wheel, but “Semi” runs with a royalty analogy and fails to truly impart any knowledge. The acrylic-and-charcoal artwork, set against white backgrounds, keeps the focus on the trucks and the jobs they are doing.
While there are many rhyming truck books out there, this stands out for being a collection of poems. (Picture book/poetry. 3-6)Pub Date: Aug. 27, 2013
ISBN: 978-0-7636-5078-0
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 28, 2013
Kirkus Reviews Issue: June 15, 2013
BOOK REVIEW
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